article placeholder

The Silent Storm – Review

McFarlane’s feature debut overflows with expansive and explosive emotions. An intense picture that does not coddle, The Silent Storm embraces its atmospheric identity, fervent soundtrack and otherworldly...
article placeholder

Green Room – Review

Green Room has a decent concept compared to what one might expect of a thriller/slasher flick: an unsigned band (all very credibly acted) plays a last-minute gig at a seedy, backwater venue, leading to...
article placeholder

Necktie Youth – LFF Review

With its Pulp Fiction-esque sprawl and community of Johannesburg teens, writer and director Mer’s Necktie Youth bears all the hallmarks of a precociously talented young filmmaker – for better or...
article placeholder

My Scientology Movie – LFF Review

Hamstrung by the Church of Scientology’s understandable lack of cooperation, Louis Theroux borrows meta recreation techniques from the likes of The Act of Killing to ingenious effect. Actors’...
article placeholder

Light Years – LFF Review

Light Years has the kitchen-sink stylistic trappings of an Andrea Arnold film, yet the conflict that drives the narrative is far less apparent. As a result it is at times laboriously low-key, but there are...
article placeholder

Mr Gaga – LFF Review

Somewhat understandably, Mr Gaga is overly reliant on enchanting and hypnotic footage of Naharin’s shows, and the film is bolstered by frank interview input from its subject. Rather than answer the...
article placeholder

My Golden Days – LFF Review

In blending Jean-Pierre Jeunet-esque whimsical adventure with a sentimentalised recollection of past love Desplechin straddles and ultimately crosses the line between charm and irksomeness. Stylistically...
article placeholder

Sunset Song – LFF Review

Sunset Song’s chronicling of rural wartime hardship is nothing we haven’t seen before. Abusive patriarchs, repressed women and traumatised soldiers are unoriginal ingredients, but Davies turns them into...
article placeholder

My Skinny Sister – LFF Review

This painfully intimate family drama depicts the intense bond between sisters with uncanny power. Together Josephson and Deasismont embody both the joy and rivalry of siblinghood so recognisably that it’s...
article placeholder

One Floor Below – LFF Review

A promising plot collapses into a completely shapeless and tedious film beefed up to feature length by the inclusion of a huge amount of irrelevant mundane detail, such as an odd obsession with the...
article placeholder

Queen Of Earth – LFF Review

Queen of Earth's opening could be deleted footage from Perry’s Listen Up Philip, but the quality of this follow-up's script and performances soon distracts from the repetition. Moss and Waterston offer...
article placeholder

A Perfect Day – LFF Review

From its striking opening A Perfect Day is grubby and real, filled with weathered props and beautiful aerial shots of the suffering landscape. Though it has a well-defined style – established in part by...
article placeholder

My Nazi Legacy – LFF Review

Calm, rational and dignified all while shining light through a black hole. To navigate a topic such as the Holocaust with two children of Nazi generals provides a strong hook. It'd be easy to sensationalise,...
article placeholder

Very Big Shot – LFF Review

Very Big Shot is a glorious surprise. What begins as a gangster drama twists itself into an uproarious cine-literate comedy. Though the plot begs comparisons to Affleck’s Argo, Chaaya takes himself much...