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Bobbi Jene – LFF 2017 Review

Lind’s documentary follows the pivotal stages in the life of talented and transgressive contemporary dancer Bobbi Jene Smith as she enters her thirties. While Lind seeks to chronicle the major...
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Stronger – LFF 2017 Review

It's a strange cinematic coincidence, but the 2013 Boston Marathon bombings have proved fertile ground for two excellent recent films – first with Peter Berg’s nail-biting Patriots Day, and now with the...
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Cargo – LFF 2017 Review

The unexpected death of their father leaves the lives of three brothers spinning inexorably out of control in Gilles Courier’s taut Scandinavian drama Cargo. William (Sebastien Dewaele), on the run from...
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Brigsby Bear – LFF 2017 Review

Debut director Dave McCary and SNL co-star Kyle Mooney have teamed up for Brigsby Bear, a videophile flick that is ripe for laughs although slightly self-congratulating. Abducted at a young age and raised...
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Araby – LFF 2017 Review

"There’s no prettier sight than looking back on a town you left behind." Beautifully melancholic, the song that plays over the title sequence to João Dumans and Affonso Uchôa’s latest is consumed by...
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Ingrid Goes West – LFF 2017 Review

Taking some of those slightly stalkerish tendencies that we all give into every now and then (yeah, I know every outfit you wore on your holiday to Mallorca last month, Becky) to the extreme, Ingrid (Aubrey...
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Makala – LFF 2017 Review

In Swahili, 'makala' means 'charcoal'. Emmanuel Gras’ observational documentary follows Kabwita Kasongo as he journeys fifty kilometres across seemingly endless Congolese dirt tracks to hawk his wears in the...
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The Cakemaker – LFF 2017 Review

The Cakemaker, the latest offering from Israeli director Grazier, tackles the difficult subject of bereavement through the story of a man and woman both grieving the death of the same lover. Oren is married to...
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Loveless – LFF 2017 Review

Apocalypses loom large in the world of Loveless, from the impending implosion of a family that gives the film its story to its setting in October 2012, with the Mayan calendar predicting the world’s end in...
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Gemini – LFF 2017 Review

Marketed as millennial mumble-noir, Aaron Katz’ new feature is an all-encompassing funny and sexy mystery thriller that sadly fails to deliver much from any of these categories. The film’s recognisable...
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Moonlight – Review

Moonlight is a strange mixture of the old and the new, offering plenty that we’ve seen before while pushing boundaries that too often remain rigid in mainstream films. Director Barry Jenkins begins in the...
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The Giant – LFF 2016 Review

The Giant is an imaginative "human interest" story, something expected to feature in a local newscast's warm and fuzzy "and finally..." section. It is also a well-trodden - and sweetly simple - underdog...
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We Are X – LFF 2016 Review

Documentary director Stephen Kijak is clearly fascinated by band and "visual kei" pioneers X Japan and, although informative, the opening segment of We Are X teeters on the edge of pandering to founder Yoshiki...