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      Premature - LFF 2019 Review

      Carmen Paddock
      October 10, 2019
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      Really Good Rejects – SXSW Review

      Carmen Paddock
      April 7, 2022
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      Zero Fucks Given – Review

      Carmen Paddock
      April 3, 2022
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      True Things – Review

      Carmen Paddock
      April 2, 2022
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      On the Divide – Human Rights Watch Film Festival 2022 Review

      Sophie Maxwell
      March 29, 2022
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      Bodies Bodies Bodies – SXSW 2022 Review

      Weiting Liu
      March 29, 2022
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      The Worst Person in the World – Review

      Alysha Prasad
      March 25, 2022
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    • Ip Man 3

      The Changing Cinematic Face of Ip Man

      Andrew Daley
      April 26, 2016
      Analysis, Close-Up, Features
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    • Juliet

      On Baz Luhrmann’s Romeo + Juliet and Growing Up

      Lydia Rostant
      March 25, 2022
    • Petite Maman 1

      ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

      Anna McKibbin
      December 31, 2021
    • The Green Knight

      ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

      Carmen Paddock
      December 31, 2021
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      Cutting the Oscars Was a Stupid Solution to a Serious Problem

      Calum Baker
      February 17, 2019
      Analysis, Features, Opinion
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    • First Cow

      ORWAV’s Top 20 Films of 2021: #8 – First Cow

      Louise Burrell
      December 31, 2021
    • First Cow

      Why First Cow Was The Biggest Oscar Snub This Year

      Louise Burrell
      March 27, 2021
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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    • Boom

      Best Films Never Made #25: Jerry Lewis' The Day the Clown Cried

      Tom Bond
      April 17, 2015
      Behind The Curtain, Best Films Never Made, Features
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    • TheBeatles0

      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Best Films Never Made #42: George A. Romero’s The Girl Who Loved Tom Gordon

      Naomi Soanes
      September 5, 2017
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      Best Films Never Made #41: J. J. Abrams and Ron Howard’s The Dark Tower

      Sinead McCausland
      August 16, 2017
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      Best Films Never Made #40: George A. Romero’s The Mummy

      Tom Bond
      June 6, 2017
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      Best Films Never Made #39: Joss Whedon’s Wonder Woman

      Carmen Paddock
      May 30, 2017
    • Ridley Scott's Nottingham (1)

      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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    • A Beginner's Guide to...Paul Thomas Anderson

      Patrick Taylor
      February 16, 2014
      A Beginner's Guide To..., Analysis, Features
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    • A Beginner’s Guide To… Douglas Sirk

      Joseph Bullock
      June 6, 2021
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      Joseph Bullock
      May 21, 2020
    • The Invisible Man Edited

      Pandemic Panic: The Best Horror Films to Distract You Right Now

      Rob Salusbury
      April 9, 2020
    • Courtesy of: El Deseo

      A Beginner’s Guide To… Pedro Almodóvar

      Patrick Nabarro
      August 21, 2019
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      A Beginner’s Guide to… Emma Thompson

      Alex Goldstein
      June 5, 2019
    • Carol Banner

      A Beginner’s Guide to… Cate Blanchett

      Carmen Paddock
      September 20, 2018
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Features

Home
Features
Juliet

On Baz Luhrmann’s Romeo + Juliet and Growing Up

Lydia Rostant
March 25, 2022
Features
“Stars collide, worlds divide/What a pretty piece of flesh/You are a pretty piece of flesh”  —One Inch Punch, 'Pretty Piece of Flesh' There are films that are difficult to write about. Sometimes...
Petite Maman 1

ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

Anna McKibbin
December 31, 2021
Analysis, Features, Top 10
As Nelly (Joséphine Sanz) sleeps securely in her mother’s arms, a bright circle of light skittishly bounces across the door, its glow illuminating the murky shape of a key. Nelly and Marion (Gabrielle Sanz)...
The Green Knight

ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

Carmen Paddock
December 31, 2021
Analysis, Features, Top 10
Recent cinema has been marked by its reckoning with myths and legends: some based in truth, some overt fabrications, some lost to time, some painfully traceable. Spencer tackles the Royal Family; Dune brings a...
Limbo

ORWAV’s Top 20 Films of 2021: #3 – Limbo

Anahit Behrooz
December 31, 2021
Analysis, Features, Top 10
There is something deliriously off-kilter about Limbo, Ben Sharrock’s absurdist comedy about a group of asylum seekers awaiting processing on a remote Scottish island. Nothing is ever quite right. In its...
DRUK

ORWAV’s Top 20 Films of 2021: #4 – Another Round

David Brake
December 31, 2021
Analysis, Features, Top 10
“To alcohol! The cause of, and solution to, all of life's problems.” In The Simpsons episode titled ‘Homer vs. the Eighteenth Amendment’, after battling humourless lawman Rex Banner, Homer Simpson...
PoweroftheDog 1

ORWAV’s Top 20 Films of 2021: #5 – The Power of the Dog

Tom Bond
December 31, 2021
Analysis, Features, Top 10
A darkened interior frames a lone man striding across a dusty plain. It’s one of the most well-worn images in cinema, and it provides a powerful visual shorthand for the themes of any Western: domesticity vs...
NOMADLAND

ORWAV’s Top 20 Films of 2021: #6 – Nomadland

Scott Wilson
December 31, 2021
Analysis, Features, Top 10
Best Picture. Best Director. Best Actress. Winning over 100 awards in total, Nomadland’s success at the Oscars may have seemed, ultimately, inevitable, but there was still a surge of warranted joy when...
C'Mon 0

ORWAV’s Top 20 Films of 2021: #7 – C’mon C’mon

Scott Wilson
December 31, 2021
Analysis, Features, Top 10
In a conversation with musician David Byrne, director Mike Mills said it’s his natural urge to make every film feel like the chorus of a song. Choruses are often the zeniths of a song. A wondrous combination...
First Cow

ORWAV’s Top 20 Films of 2021: #8 – First Cow

Louise Burrell
December 31, 2021
Analysis, Features, Opinion
With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
Spencer Banner

ORWAV’s Top 20 Films of 2021: #9 – Spencer

Calum Baker
December 30, 2021
Analysis, Features
In its interminable wardrobing, lavish setting and populist pro-Princess pitch, Spencer would seem to perfectly embody what Christopher Hitchens once labelled the “kitsch iconography” that surrounds its...
Header

ORWAV’s Top 20 Films of 2021: #10 – Sound of Metal

Rachel Brook
December 30, 2021
Analysis, Features, Top 10
The best films of 2021 marshalled all of the techniques of cinema to tell their stories in ways that could only be achieved within the medium of film. The Father mastered editing and production design, using...
Drive My Car

ORWAV’s Top 20 Films of 2021: #20 to #11

David Brake
December 30, 2021
Analysis, Features, Top 10
Well, 2021 wasn't the improvement we all deserved after a dire 2020. Perhaps that was just wishful thinking. I sincerely hope that you and your family are safe and well, as we prepare to enter year three of...
Kaye 1

Portrait of Kaye: Ben Reed on the Moral Quandaries of the Documentary Form

Lydia Rostant
June 9, 2021
Features, Independent, Interview
There is a common misconception in filmmaking which presumes the director to have total and divine confidence in both their subject matter, and the various processes by which they tell the story. Ben Reed’s...

A Beginner’s Guide To… Douglas Sirk

Joseph Bullock
June 6, 2021
A Beginner's Guide To..., Analysis, Features
Douglas Sirk is a tough sell in a cynical age. Perhaps he would be in any. His plots are often shallow and seeped in wish-fulfilment; the performances are overwrought and slightly archaic; his sets, despite...
FInal 3

The Quiet Power of Isla Badenoch’s The Elvermen At Sheffield DocFest

Lydia Rostant
June 6, 2021
Features, Independent, Interview
In Isla Badenoch’s The Elvermen, fish are the size of men and men are of mythical proportions. The film (which premiered on June 5, 2021 at Sheffield DocFest), was shot in a narrow window of time, between...
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