Features

Creating horror remakes is often a thankless job. Taking familiar intellectual properties with built-in audience recognition and repackaging them with a little more sex or violence than the originals were...

Any conversation about the director Steve McQueen will involve his long shots. It’s impossible to think of Hunger without remembering Michael Fassbender and Liam Cunningham just chatting for 17 minutes, in...

In Widows, director Steve McQueen is mining relatively fresh territory for himself in the film's female-rooted narrative. Though he has never disregarded women’s experiences in his work, they have not –...

https://www.dailymotion.com/video/x569sd9 Dr Seuss’ beloved Christmas tale may not be as essential to UK holiday programming as The Snowman, but its two versions this millennium – the second, starring...

It has never been a better time to be a fan of scary movies. With Get Out, A Quiet Place, The Conjuring cinematic universe and the latest Halloween setting the box office alight, it is clear that we're hungry...

Buffy: Everyone gets horribly killed except the blonde girl in the nightie, who finally kills the monster with a machete. But it's not really dead. Jennifer: Oh, my God, is that true? Buffy: Probably. What...

There is a long-running debate within film theory and criticism about the idea of authenticity. Art as a form of expression has social and political consequences, whether these are intentional or not;...

Tom Ford’s directorial debut A Single Man (2009) is based on Christopher Isherwood’s 1964 novella of the same name, but has its own unique style. Drawing both from personal experience and his professional...

Like the great Michael Myers himself, you can never really kill a horror franchise. This month, 40 years after the original slashed its way onto movie screens and into our hearts, Halloween returns. Pointedly...

Before Kill Bill: Volume 1’s release, audiences were already acquainted with Quentin Tarantino’s interests in extreme violence and casual drug use. But once it hit cinemas, Kill Bill proved to be a...

Drew Goddard’s Bad Times at the El Royale – out this week – looks like a hell of a ride, especially with the stellar ensemble cast. Chris Hemsworth's role might be one of the smaller ones, but the...

Screenwriter extraordinaire Drew Goddard (Cloverfield, World War Z, The Martian) is back with his second feature as a director, Bad Times at the El Royale. His latest finds a group of strangers unravelling a...

As the most inhospitable, difficult to reach, and mysterious place that humans have ever explored, the depths of space have long held a great fascination for filmmakers. Whether it’s in the fantasy context...

Rushmore is 20 years old. Even with a two-decade legacy that reaches into cinema’s hallowed history to map out its future, Wes Anderson’s singular screwball tale of love, betrayal and extracurricular...

John Cho is a pioneer. His filmography is dominated by groundbreaking roles: first Asian American romantic lead in US television; first openly gay character in a sci-fi blockbuster; first person to use the...