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      Jess Goodman
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      Scott Wilson
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      Alysha Prasad
      January 14, 2023
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      Scott Wilson
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      Alysha Prasad
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      Scene Stealers: Adam Driver in Inside Llewyn Davis

      Carmen Paddock
      August 23, 2017
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      On Baz Luhrmann’s Romeo + Juliet and Growing Up

      Lydia Rostant
      March 25, 2022
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      ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

      Anna McKibbin
      December 31, 2021
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      ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

      Carmen Paddock
      December 31, 2021
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      Naomi Soanes
      March 30, 2018
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      ORWAV’s Top 20 Films of 2021: #8 – First Cow

      Louise Burrell
      December 31, 2021
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      Why First Cow Was The Biggest Oscar Snub This Year

      Louise Burrell
      March 27, 2021
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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      Best Films Never Made #41: J. J. Abrams and Ron Howard’s The Dark Tower

      Sinead McCausland
      August 16, 2017
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      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Best Films Never Made #42: George A. Romero’s The Girl Who Loved Tom Gordon

      Naomi Soanes
      September 5, 2017
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      Best Films Never Made #40: George A. Romero’s The Mummy

      Tom Bond
      June 6, 2017
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      Best Films Never Made #39: Joss Whedon’s Wonder Woman

      Carmen Paddock
      May 30, 2017
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      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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      Best Films Never Made #37: Neill Blomkamp’s Alien 5

      David Brake
      May 4, 2017
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      A Beginner's Guide To... Steve Martin

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      August 14, 2015
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      A Beginner’s Guide To… Douglas Sirk

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      May 21, 2020
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      Pandemic Panic: The Best Horror Films to Distract You Right Now

      Rob Salusbury
      April 9, 2020
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      A Beginner’s Guide To… Pedro Almodóvar

      Patrick Nabarro
      August 21, 2019
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      Carmen Paddock
      September 20, 2018
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ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

Anna McKibbin
December 31, 2021
Analysis, Features, Top 10
As Nelly (Joséphine Sanz) sleeps securely in her mother’s arms, a bright circle of light skittishly bounces across the door, its glow illuminating the murky shape of a key. Nelly and Marion (Gabrielle Sanz)...
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ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

Carmen Paddock
December 31, 2021
Analysis, Features, Top 10
Recent cinema has been marked by its reckoning with myths and legends: some based in truth, some overt fabrications, some lost to time, some painfully traceable. Spencer tackles the Royal Family; Dune brings a...
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ORWAV’s Top 20 Films of 2021: #3 – Limbo

Anahit Behrooz
December 31, 2021
Analysis, Features, Top 10
There is something deliriously off-kilter about Limbo, Ben Sharrock’s absurdist comedy about a group of asylum seekers awaiting processing on a remote Scottish island. Nothing is ever quite right. In its...
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ORWAV’s Top 20 Films of 2021: #4 – Another Round

David Brake
December 31, 2021
Analysis, Features, Top 10
“To alcohol! The cause of, and solution to, all of life's problems.” In The Simpsons episode titled ‘Homer vs. the Eighteenth Amendment’, after battling humourless lawman Rex Banner, Homer Simpson...
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ORWAV’s Top 20 Films of 2021: #5 – The Power of the Dog

Tom Bond
December 31, 2021
Analysis, Features, Top 10
A darkened interior frames a lone man striding across a dusty plain. It’s one of the most well-worn images in cinema, and it provides a powerful visual shorthand for the themes of any Western: domesticity vs...
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ORWAV’s Top 20 Films of 2021: #6 – Nomadland

Scott Wilson
December 31, 2021
Analysis, Features, Top 10
Best Picture. Best Director. Best Actress. Winning over 100 awards in total, Nomadland’s success at the Oscars may have seemed, ultimately, inevitable, but there was still a surge of warranted joy when...
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ORWAV’s Top 20 Films of 2021: #7 – C’mon C’mon

Scott Wilson
December 31, 2021
Analysis, Features, Top 10
In a conversation with musician David Byrne, director Mike Mills said it’s his natural urge to make every film feel like the chorus of a song. Choruses are often the zeniths of a song. A wondrous combination...
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ORWAV’s Top 20 Films of 2021: #10 – Sound of Metal

Rachel Brook
December 30, 2021
Analysis, Features, Top 10
The best films of 2021 marshalled all of the techniques of cinema to tell their stories in ways that could only be achieved within the medium of film. The Father mastered editing and production design, using...
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ORWAV’s Top 20 Films of 2021: #20 to #11

David Brake
December 30, 2021
Analysis, Features, Top 10
Well, 2021 wasn't the improvement we all deserved after a dire 2020. Perhaps that was just wishful thinking. I sincerely hope that you and your family are safe and well, as we prepare to enter year three of...
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ORWAV’s Top 20 Films of 2020: #1 – Parasite

Jess Goodman
December 31, 2020
Analysis, Features, Top 10
The ending of another year is a time that lends itself to reflection. So let’s look back on the good old days, when going to the supermarket didn’t feel like a health hazard, when cinemas were open and...
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ORWAV’s Top 20 Films of 2020: #2 – Portrait of a Lady on Fire

Scott Wilson
December 31, 2020
Analysis, Features, Top 10
Released less than a month before the UK entered lockdown, Portrait of a Lady on Fire is a memory from the Before Times. Not only is it about so much of what has been taken from us this year, but the film...
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ORWAV’s Top 20 Films of 2020: #3 – Little Women

Anahit Behrooz
December 30, 2020
Analysis, Features, Top 10
Editor note - While Little Women was released on the 26th December 2019 in the UK, due to time constraints our group of writers did not get the chance to vote for it in last year's Top 20. For that reason, we...
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ORWAV’s Top 20 Films of 2020: #4 – Uncut Gems

Jack Blackwell
December 30, 2020
Analysis, Features, Top 10
One of the things that separates my very favourite films from those that are merely excellent is that they seem to fold in other mediums as they go. With its dense plotting and lovingly textured surroundings,...
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ORWAV’s Top 20 Films of 2020: #5 – The Lighthouse

Louise Burrell
December 29, 2020
Analysis, Features, Top 10
Mermaids, one-eyed seagulls, and glimpses of sea monsters; Robert Eggers’ The Lighthouse is anything but a mainstream horror. This undeniably weird film landed in the UK in the “normal” part of 2020,...
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ORWAV’s Top 20 Films of 2020: #6 – Babyteeth

Josefine Algieri
December 29, 2020
Analysis, Features, Top 10
In a year so dominated by collective illness, loss, and pain, focusing on the tragedy of a single family for two hours can feel remarkably refreshing. Shannon Murphy’s debut feature Babyteeth is an intimate...
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