Author Tom Bond

Whether Mamma Mia! Here We Go Again reads like a cheer or a threat depends entirely on how much you enjoyed the first film. Let’s be honest, you know exactly what you’re getting here. Nominally a Mamma...

Hotel Artemis is set during one chaotic night in the eponymous hotel, run by The Nurse (an incredible Jodie Foster) as an emergency hospital for criminals, and is apparently somehow not a John...

Summer means several things: Wimbledon, being cooked alive on the tube, and checking to see whether it's come home yet (it hasn't). It also means the release of our annual list charting the best movie moments...

It’s still depressingly rare for a film to have all women in the lead roles, but Ocean’s 8 would have been worthy of very little attention if that was the only remarkable thing about it. Instead, it...

This film was previously reviewed on 16/05/18 as part of Cannes Film Festival. Is it possible to have too much of a good thing? Film franchises prompt that question on a daily basis, with every...

It’s rare to leave the cinema wishing a 90-minute film was longer, but Meryem Benm'Barek’s Sofia shows enough promise to demand a more substantial story. She wastes no time getting into the action, going...

Ryûsuke Hamaguchi’s Asako I & II is an endearing Japanese rom-com with a high-concept premise. Asako (Erika Karata) falls in love with Baku (Masashiro Higashide) at university, but he walks out of her...

The Dead and the Others is a complex creation from directors Joao Salaviza and Renee Nader Messora, which can’t be easily categorised into the usual fiction and documentary boxes. Developed alongside the...

Long Day’s Journey Into Night is the kind of audacious filmmaking experiment for which film festivals like Cannes were invented. It favours mood and an ingenuity of image over any instinct to deliver a...

The spirit of ’68 is alive and kicking in At War, the latest politically charged drama from the formidable pairing of director Stéphane Brizé and actor Vincent Lindon. We’re thrown straight into the...

This film was previously reviewed on 23/05/17 as part of Cannes Film Festival. Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian...

“Ever get the feeling you fucked up somewhere a long time ago and you’re living a bad version of the life you were supposed to have?” Under the Silver Lake, from It Follows director David Robert...

Argentinian writer-director Alejandro Fadel doesn’t pull any punches in his ghoulish and gory horror, Murder Me, Monster. His opening scene, a close-up of a woman with a slit throat slowly bleeding out and...

Lars Von Trier is back with The House that Jack Built, a 150-minute grotesque epic going deep inside the mind of a serial killer. Does it confirm his genius and justify his provocations or is it the...

Is it possible to have too much of a good thing? Film franchises prompt that question on a daily basis, with every semi-successful character or creation plundered for as many sequels and spin-offs as audiences...