Reviews

Almost forty years after Stanley Kubrick brought the Overlook Hotel to horrifying life, Mike Flanagan brings viewers right back into his world with his take on Stephen King’s sequel. By virtue of its source...

A sequel that no one really asked for or expected, Zombieland: Double Tap arrives 10 years after its predecessor. The first instalment offered guts and gore and was far from taking itself seriously, with...

Marielle Heller returns with another unconventional biopic that is more interested in the humanity of its relationships than in worshipful recreations of historical events. That said, the love and care poured...

A period drama not focused on the landed gentry is a welcome change. Fanny Lye Deliver’d focuses on its titular protagonist’s life in 1657 rural Shropshire; after the English Civil War, she lives...

The most striking element of Mirrah Foulkes’ feminist reimaging of the quintessential, quaint British seaside entertainment – this time focusing on the humans behind the puppets – is its unevenness of...

Though Martin Scorsese’s mooted upcoming films sound exciting, it’s hard to believe that they’re ever coming out at all. The Irishman has such an air of emphatic finality about it, and serves as such a...

Few films commit to their titles like Ordinary Love. This is a movie of calm, contemplative realism that never falsely raises its stakes as it studies the effect of a cancer diagnosis on a retired couple in...

No two Pablo Larraín films are quite the same but, even so, Ema marks a departure. An opaque story told mainly through dance and music, it has his stylistic flair but, sadly, lacks his usual ability to find...

If you’re going to make a movie about modern youth, you have to consult with modern youth. Too many films in this genre feel embarrassingly dated the instant they come out, and it’s to Sarah Gavron,...

It isn’t easy to imagine oneself feeling much sympathy for the characters of a film about the Apartheid-era South African army, upholding their violently racist laws. Perhaps Oliver Hermanus’s greatest...

As much as American cinema is based in LA, it’s New York that has always been the country’s most iconic on-screen destination. How well they use this manic city can be a real test for a filmmaker. For a...

With a rollout soured by director Michael Winterbottom being pressured by Sony to make its end credits less political, Greed arrives with little question when it comes to its anti-corporatist credentials....

A film like The Painted Bird does not want to be ‘liked’. It wants to shock, to disgust, to viscerally move, to make you reconsider just how civilised mankind really is. Seeking such reactions is a gamble...

If, at the start of the year, you were asked which Steven Soderbergh project sounded more exciting between ‘the one shot entirely on an iPhone’ and ‘the one starring Meryl Streep’, then it would have...

Despite its flippant title, For the Birds is a difficult watch. The documentary centres on Kathy Murphy, a rural New Yorker whose decades-long, all-consuming hobby of raising barnyard fowl has raised...