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London Town – LFF 2016 Review

London Town is a charming - if slightly implausible - tale of the capital and its undercurrents in 1979. It's also about diligent teenager Shay (Huttlestone) letting loose at just the time when more...
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Trolls – LFF 2016 Review

Trolls. Is. So. Colourful. In theory, this sounded like its only virtue, seeming like a misjudged cash-grabbing exercise with a passé '90s toy. Happily, however, Trolls subverts expectations with an...
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Queen of Katwe – LFF 2016 Review

Queen of Katwe is an emotional and inspirational film, sprinkled with Disney magic, although the true story does most of the heartrending speaking for itself. Phiona (newcomer Nalwanga) sells maize in...
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Dancer – LFF 2016 Review

Dancer is Sergei Polunin, the tattooed 'bad boy of ballet'. Aged just 23 and at the height of his powers, he sensationally quit his role as Principal with the Royal Ballet - the pinnacle of a usual career....
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Pyromaniac – LFF 2016 Review

Norwegian teenager Dag is a bit of a loner. He keeps himself to himself and helps his dad at work whenever he can. He’s also a firestarter, a twisted firestarter. Shunned by kids his own age and...
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Lupe Under the Sun – LFF 2016 Review

Lupe Under the Sun had the potential to be promising. It examines the life of a Mexican migrant living in California, eking out a meager existence as a fruit-picker. The film could have provided a searing...
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Spaceship – LFF 2016 Review

The press notes for Alex Taylor's feature debut, Spaceship, advise you to expect a Harmony Korine film set in Surrey. Going in with an aversion to Korine's desperately controversial style of cinema therefore...
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Don’t Blink – LFF 2016 Review

Robert Frank’s photographs of mid-century America were hated when he first presented them in book form. Candid, grainy, and refusing to shy away from social problems that people were facing, the general...
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Hermia & Helena – LFF 2016 Review

Hermia & Helena is rather frustrating. Beginning friskily - and a little quirkily - the scene is set when Camila (Agustina Muñoz) takes over Carmen’s (María Villar) artist’s residency in New York,...
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Down Under – LFF 2016 Review

Down Under places its feet firmly in the realm of truth from the outset, kicking off with sobering footage of the Cronulla race riots in 2006 - before pivoting into an absurd and farcical tale of street...
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Rara – LFF 2016 Review

13 is the perfect age for female coming-of-age stories. It’s a time for many when the transition between girl and woman becomes increasingly apparent, and for Sara, the main character in Pepa San...
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Wild – LFF 2016 Review

Wild is rather a disturbing film, depending on your frame of mind – if you’re in the kind of place where you’d find a wolf sexually attractive (and do something about it), though, you’ll feel right at...
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Ten Years – LFF 2016 Review

Ten Years is made up of five short dystopian films by young Hong Kong directors. Each of the short films, set in 2025, work around issues within the society, such as language barriers between Mandarin and...
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Mimosas – LFF 2016 Review

A curious combination of thematically dense and tonally sparse, some may grasp a deeper meaning from Mimosas. However this otherworldly odyssey across North Africa struggles to rise beyond its style, as the...
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Chasing Asylum – LFF 2016 Review

Raw, detailed and unashamedly single-minded, Chasing Asylum is a tearjerking look behind the scenes at Australian immigration. With 60 million people forcibly displaced by events across the globe, this...