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Southpaw – Review

MMA-centric Warrior once perfectly blurred the lines between predictable fluff and hard-hitting emotional heft. Southpaw treads the same path with less punches on target. This is a redemption movie and so...
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Maggie – Review

While the concept is interesting enough, it’s the casting of Schwarzenegger tenderly caring for what is essentially his terminally ill daughter that lifts Maggie above the status of an eyebrow-raising...
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Women Who Flirt – Review

After the early 2014 success of Aberdeen, Pang Ho-cheung explores new frontiers in the mainland Chinese market in the humorous Women Who Flirt. Tomboyish Angie (Xun) chases the affections of her...
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Inside Out – Review

Little needs to be said about Inside Out; it’s more of the same from Pixar, and the same is very good. Pixar’s noted ability for creative reasoning and progressive maturity finds itself this time telling...
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The Salt Of The Earth – Review

Sebastião Salgado and Wim Wenders are perfect together: veterans of photography and filmmaking respectively, and concerned with the political and spiritual - both subjects being treated deeply and...
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Self/less – Review

It speaks volumes about the sheer tedium of Tarsem Singh’s Self/less that its most annoying aspect is the errant punctuation in its title. Is the film supposed to be called “Self or less?” - Sounds like...
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Ant-Man – Review

Ant-Man is the hidden gem of all recent superhero films. Douglas and Rudd battle on a goliath technoscale; facing down corporations, dejected daughters and supervillains alike. This faux-heist escapade...
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The Choir (Boychoir) – Review

The Choir is a nicely shot film, featuring an endearing protagonist and suitably goofy (and pleasingly multiracial) young co-stars, exalted by beautiful musical moments. Besides the aforementioned merits...
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The Overnight – Review

The Overnight manages to be honest about sex in long-term relationships without trying too hard to be sexy about it, and Jason Schwartzman steals the show throughout as the entrepreneur and artist who...
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Miss Julie – Review

This adaptation carries the same uneven tones as the play of 1888, attempting as it does to prove that human nature can rocket between moods and motivations at a moment’s notice. Farrell’s butler John is...
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Song of the Sea – Review

Following 2010’s mystical Oscar nominee The Secret of Kells, budding animation master Tomm Moore returns to tackle Celtic folklore in Song of the Sea. In this he produces a wonderful film, haunted by...
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Ted 2 – Review

Moving away from Ted’s tiring and prehistoric gender dynamic (mostly), Ted 2 introduces a more inspiring goal…freedom. Comparing Ted’s plight to slavery is of course ridiculous, and MacFarlane treads...
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Comet – Review

Justin Long is normally pretty likeable; he’s got that engaging voice and an endearingly rubber face. Unfortunately the first thirty minutes of Comet call for it to be rearranged. What sounds like a...
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Magic Mike XXL – Review

Magic Mike XXL’s scenes hang adequately in sequence: some uninteresting, some entertaining, and all of them tongue-in-cheek. It is unfortunate (depending on your point of view) that the film is consistently...