article placeholder

Straight Outta Compton – Review

In 1988, NWA's 'Fuck tha Police' exploded out of Californian boomboxes as not only a statement to ignite a stagnant music scene but a war cry against statewide police brutality and racial profiling. It goes...
article placeholder

We Are Your Friends – Review

WAYF director Max Joseph has made a name for himself in recent years as co-host of MTV's Catfish series - a show that distilled 2010's doc namesake for a pop audience. For someone contributing to the rise...
article placeholder

Barely Lethal – Review

During Barely Lethal, our kooky-but-klutzy-but-super-trained spytagonist settles down to scout an environment that’d test any agent: high school, via Mean Girls. Anyone who fancies a teen movie with bite...
article placeholder

45 Years – Review

Despite his Best Actor win at the Berlin Film Festival, Courtenay’s performance is the weak link in 45 Years. Many of his lines feel over-rehearsed, though fittingly he’s more animated when reminiscing...
article placeholder

Hitman: Agent 47 – Review

This latest effort to adapt the hit video game franchise for the big screen bears more than a passing resemblance, bizarrely, to Mad Max: Fury Road; in that they're both about men of few words who assist a...
article placeholder

The Bad Education Movie – Review

Brash, dumb, and cheerfully puerile, the Bad Education gang follow in the Inbetweeners' footsteps in uprooting from their familiar surroundings for the big screen. This move largely pays off, offering...
article placeholder

Good People – Review

Way back when, Good People would likely be hitting a supermarket’s DVD bin with a big fat “4.99!” sticker slapped on the case. Now it’ll shuffle onto Netflix under “Crime Films”, 1.5 red stars...
article placeholder

Dreamcatcher – Review

Director Kim Longinotto’s cinema vérité offers a raw insight mediated only by the occasional subtitle. In letting her subjects speak for themselves, Longinotto avoids impressing an interpretative filter...
article placeholder

Vacation – Review

In 1983 Chevy Chase took viewers for a trans-American joyride in a beat up station wagon, birthing the road-com genre with a turn which Will Ferrell has been taking cues from his entire career. Cut to 2015...
article placeholder

Pressure – Review

“We came here to do a job.” Uh oh. Storm on the way and 650 feet under; what could go wrong? Surely not everything? Sweaty faces and furrowed brows ensue. Time’s only indicator the dwindling oxygen...
article placeholder

Gemma Bovery – Review

Gemma Bovery is a film of inconsistencies; Gemma Arterton’s titular character is interchangeably ignorant and fluent in French, suffering rural ennui and enamoured by country living. Though it may be...
article placeholder

Paper Towns – Review

Charming and warm, Paper Towns offers a teen flick with a bit of depth. Wolff adds another solid performance to his growing filmography, and the perfectly cast Delevingne is everything she should be. Abrams...
article placeholder

Trainwreck – Review

The love story of Amy (Schumer) and Aaron (Hader) follows the genre's traditional arc while putting the emphasis heavily on the com in rom-com. Playing the lead on screen and paper, Schumer is a tour de...