article placeholder

The Man From U.N.C.L.E. – Review

If this is how Ritchie and Cavill Bond, we’re lucky they never did. Aside from a microdot of genuine excitement and energy, U.N.C.L.E. is a masterclass in mundane, insubstantial espionage. U.N.C.L.E....
article placeholder

Mistress America – Review

As Brooke Catalinas – the titular Mistress America – Gerwig is almost as repulsive as she’s magnetic. Gerwig impressively develops her already glittering back catalogue of alter egos, effecting a turn of...
article placeholder

Absolutely Anything – Review

A comedy starring the cast of Monty Python and the late Robin Williams - not to mention a smorgasbord of British talent in supporting roles - sounds brilliant on paper, but it only works if you give them funny...
article placeholder

Pixels – Review

Pixels is probably fine if you have nothing better to do. Narrative inconsistencies and total changes within the film’s own logic seem to come out of nowhere every few minutes – though I guess none of...
article placeholder

The Lobster – Review

The Lobster delicately balances humour and brutality to tell a brilliantly absurd, yet altogether touching story. The largely matter-of-fact cinematography is beautifully offset by scenes in dramatic slow...
article placeholder

The Gift – Review

High-flying but unsettled couple Simon and Robyn (the convincingly slimy/angelic pairing of Bateman and Hall) encounter Gordo, Simon’s intense high school classmate. His gradual imposition on their lives...
article placeholder

52 Tuesdays – Review

One of 2015's most important films, though so deft in style that it's never "Worthy". A parent's FTM transition provides a backdrop, but James (formerly Jane) is never defeatist or self-loathing. Instead,...
article placeholder

Max – Review

Max is very ‘American’ yet not at all alienating, with a charming and interesting premise. Part of the film’s engaging nature derives from quick and adept character development, but the most appealing...
article placeholder

Manglehorn – Review

A.J. Manglehorn has a ridiculous name and a ridiculous obsession with lost-love Clara; like Bellow's Herzog, the ageing recluse has an unfortunate habit of writing never-delivered letters. Thankfully, a...
article placeholder

Fantastic Four – Review

Fantastic Four holds restraint, care and pride in the hands of its new-found origin story, but that seems to be all it cares about. As the story develops, real effort and exposition runs its course,...
article placeholder

The Wolfpack – Review

The Wolfpack is a fascinating study of life lived on movies alone. They shape the Angulo family’s personalities, leading to some hilarious spot-on recreations, but the accompanying isolation breeds...
article placeholder

Hot Pursuit – Review

Hot Pursuit is an inoffensive journey into Hollywood déjà vu; it’s all so familiar. The overall effect is not exactly bad (barring an apparent silly-costume quota) but is definitely bland. The film...
article placeholder

Beyond The Reach – Review

At one point in Beyond The Reach, Michael Douglas’s increasingly crazed millionaire bellows a fine bit of paraphrasing: “Fool me once, shame on you; fool me twice, I kill you”. Then he throws some...