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James White – LFF Review

James White charts the peaks and troughs of a mother-son relationship in the aftermath of bereavement and the throes of terminal illness. This unflinching film showcases the power of cinema as a tool for...
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Remainder – LFF Review

Beginning with a brutal shock to the system, Remainder becomes a disquieting, paranoid thriller with a sheen of clammy body horror. Just when you worry it’s writing itself into a corner, the unnamed...
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The Carrier – RDFF review

High voltage action from The Carrier will have you on the edge of your seat, and - even more impressively - it does so with a tiny budget. Without the luxury of big visuals and big effects, the same level...
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Meet Pursuit Delange – RDFF review

Seemingly attempting to be Withnail & I, Meet Pursuit Delange joins together several genres, and even more plots in its strange attempt to be funny. The jokes are terribly outdated, with race, sexuality...
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Wave vs. Shore – LFF Review

The kinetic and scattershot nature of Wave vs. Shore nicely encapsulates the work of its subjects - but the rapid fire editing and a general lack of historical or cultural context makes the film feel more...
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The Intern – Review

Robert De Niro excels as a lonesome widower in Nancy Meyers’ quirky yarn about intern life in the ultra-hip creative world of… Brooklyn? Ol’ Bobby Milk stars opposite the enchanting Anne Hathaway,...
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Happy 140 – RDFF review

Strong performances from the entire cast make Happy 140 the intense character driven drama that it is. A bit twee at times, the falling apart of a friendship when money is thrown into the mix could have been...
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Gored – RDFF review

While Gored raises some intriguing points about how matadors face death every time they step into the ring, it fails to explore fully why it is they do it. Bull fighting is a controversial custom, something...
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Lucifer – LFF Review

Artful, drily witty and a tiny bit mad, Lucifer packs some stunning imagery and big ideas into its self-imposed restrictive frame. Filmed in "Tondoscope", Lucifer's striking circular frame plays host to...
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Don’t Grow Up – LFF Review

A strong premise and some stunning locations make for some intriguing moments but ultimately don't add up to much in Don't Grow Up. With its stock characters and an abundance of awkward dialogue,...
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Red Leaves – LFF Review

Featuring a stoic central performance from Eshetu, Red Leaves is an effective if slightly slow-moving examination of a patriarchy in decline. Eshetu (as the elderly Meseganio) absolutely nails his...
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Lost in Munich – LFF Review

Lost in Munich starts odd – a French parrot offends Czechs on the anniversary of the historical 1938 Munich agreement by repeating the insults of the French PM Edouard Daladier – and only gets...
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Danny Says – LFF Review

Imagine if one man were responsible for the success of the entire rock ‘n’ roll scene in the ‘60s. Danny Says doesn’t go quite that far, but it does depict Danny Fields, publicist, manager and...