article placeholder

11 Minutes – LFF Review

Though they do overlap slightly, most segments of Skolimowski’s time-bending experiment have enough to interest on an individual level. However, the unusual perspective of a dog’s eye view is all that...
article placeholder

Son Of Saul – LFF Review

Searing and visceral, Son of Saul adopts an unusual long-take, shallow-focus shooting style to great effect as it powerfully offers a new approach to films concerning the horrors of the Holocaust. In...
article placeholder

Tangerine – LFF Review

Likely the first thing you learnt about Tangerine was that it was filmed entirely on an iPhone - however this fresh and vibrant drama offers far more than simply a gimmick. Thanks to its camera,...
article placeholder

Paula – LFF Review

Paula aims to be an intelligent study on coming-of-age issues, and the strict, if subtle, gender dynamics that still govern some communities. Young nanny Paula’s predicament finds no one willing to help - or...
article placeholder

The Program – LFF Review

It may not take a groundbreaking approach to biographical drama, but Frears’ The Program draws strong performances from an impassioned O’Dowd, up-and-comer Jesse Plemons and particularly Foster, whose...
article placeholder

Sicario – Review

Early in Sicario, a shady government operative compares finding a cartel boss to “discovering a vaccine.” It’s a throwaway line, but it resonates in Roger Deakins’ breathtaking (and surely Oscar...
article placeholder

Assassination – LFF Review

Assassination is a meticulously crafted film crammed with diverse elements, including sumptuously detailed set design, goofy slapstick humour, and even a meet cute. Best of all, there’s a kickass heroine...
article placeholder

Hand Gestures – LFF Review

Clerici takes what could be a fascinating process and renders it crushingly dull in this fly-on-the-wall documentary. Hand Gestures may prove useful as a historical and practical record of the foundry’s...
article placeholder

Neon Bull – LFF Review

Set in the rural north east of Brazil at a traditional rodeo, Neon Bull has the potential to be an engaging film – particularly with the addition of the lead Iremar’s subversive interest in costuming. It...
article placeholder

In The Room – LFF Review

After opening shorts respectively characterised by static, stagey discourse and poor acting, In the Room grows in confidence and passionate eloquence. The haunting presence of a deceased man chasing an...
article placeholder

Sembene! – LFF Review

An insightful tribute from adopted ‘nephew’ Samba Gadjigo, Sembene! tells the remarkable journey of Ousmane Sembène from Senegalese fisherman to Marseilles docker to the ‘father of African...
article placeholder

Suffragette – LFF Review

Suffragette humanizes the struggle for voting equality in 1912, bringing its harsh (force-fed) realities to the fore as downtrodden laundress Maud (a top-notch Carey Mulligan) is pulled into the Women’s...
article placeholder

Brand: A Second Coming – LFF Review

It’s very hard to resist being persuaded by Russell Brand. His calls for revolution may lack detail, but they are full of the passion, humour and energy that has inspired so many. At the same time you get...
article placeholder

Too Late – RDFF review

John Hawkes is a joy to watch as a throwback to 70’s lone wolf private investigators. His lazy confidence as he seemingly throws out his lines never stops him savouring every word. The narrative structure...