Tagged Review

David Cross' Hits deftly challenges the prevalence of celebrity culture within modern society through carefully mapped characters and remarkably affectionate satire. Despite formally adopting the...

The Zellner brothers' melancholic character drama confidently explores the compulsive yearn for escapism through banality, disenchantment and rightful misanthropy. Kumiko, the Treasure Hunter's...

The dusty world of fossil digs might seem boring, but Dinosaur 13 is a documentary that gives heart to those weathered bones. You’re drawn in by the passion and excitement of Pete Larson & co. as they...

David Wain's They Came Together brings with it clear, absurd, and intensely welcome influences from his previous work on Children's Hospital, which correspondingly drives a surprisingly...

Have you ever been to one of those stand-up gigs where the comedian succeeds through sheer force of personality? That’s Obvious Child, and its lead, Jenny Slate. The story is insubstantial and the humour...

Macon Blair is crazy and a tramp as the shell-shocked hobo with a shotgun seeking vengeance. His beginnings as a bearded vagrant are brushed over too quickly, but Blair is excellent, a wide-eyed bag of nerves...

Under the Electric Sky is a ridiculous film which exhibits ridiculous people. Shot during 2013’s Electric Daisy Carnival it offers zero accessibility and little of interest to anyone not already associated...

“What goes on inside that head?” Michael Fassbender goes one better than Karl Urban’s Judge Dredd in the bizarrely sublime (or is that sublimely bizarre?) Frank. This is a film which, given a chance...

Shuddering footage extrapolated from a cellphone shows a group of black men sitting on a station floor. One is thrown down and a bang stings the air. Fruitvale Station begins with an ending. Michael B. Jordan...

Tim Sutton's Delphian portrayal of a blues musician's decaying spirituality takes on the seemingly mismatched guise of both documentary filmmaking, and hyper-literate, auratic cinema. The film follows the...

The One I Love is a crumpled-up love letter being tumble-dried inside one of the drums of The Twilight Zone. Charlie McDowell manages to crack open a window and pump a fresh breeze into a genre bloated with...

Drunktown’s Finest is Sydney Freeland’s directorial debut on a feature - and it shows. This film, which combines the increasingly interwoven stories of three young Native Americans, is never quite able to...

Which is worse: a bad film or a disappointing one? Transcendence manages to be both at the same time. Wally Pfister’s directorial debut is a fractured crazy pavement, cementing together thick slabs of...

It might be a brave new world but we’ve definitely been here before. The humdrum minimalism of Sunshine and Alien crossed with the runny-screamy parts of Alien and Sunshine mean little is unexpected, even...

A darkness hangs over Calvary; as bleak and angry as a pregnant thundercloud. Those hoping for a thematic sequel to The Guard will quickly discover that they won’t find it here. Calvary isn’t perfect; the...