The Hitman’s Bodyguard – Review
Anton Chekhov is reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." The Russian playwright was clearly far from the minds of the team behind The Hitman's...
Shin Godzilla – Review
In Japanese, the word "shin" can be translated as "new" – appropriate, considering Shin Godzilla is technically a soft reboot for Toho’s 50-year franchise – but it can also mean "pure" or "true". One...
Valerian and the City of a Thousand Planets – Review
The world of Valerian and the City of a Thousand Planets is never less than spectacular to behold. Almost every frame is composed like a painting or the cover of a pulp sci-fi novel, bursting with colour and...
The Book of Henry – Review
Gregg Hurwitz's screenplay for The Book of Henry has been searching for a director since the late 1990s. Watching the film, it’s not difficult to see why. Tonally, it’s all over the place. It starts as...
Baby Driver – Review
From the first car chase – set to ‘Bellbottoms’ – Baby Driver makes its mission clear in a manner not unlike Damien Chazelle's crossover hit La La Land: this is another untraditional musical....
My Life as a Courgette – Review
If Short Term 12 had been a co-production between Henry Selick and Tim Burton, it might well have ended up as something close to My Life as a Courgette, a simple but sincere stop motion feature that tests the...
Ghost in the Shell – Review
Even ignoring the anime adaptation, Rupert Sanders’ take on Ghost in the Shell feels like well-trodden ground. Many (or all) of the film's stylistic cues feel borrowed, whether it’s the gratuitous...
Beauty and the Beast – Review
Love is blind. It’s a notion as old as time, a song as old as rhyme, and the beating heart at the centre of the Beauty and the Beast fairytale. Bill Condon’s adoration for Disney’s 1991 classic is as...
Sweet Dreams – Review
There's something so Italian about big, wholesome families with a lot of extra love to give. In Sweet Dreams, an Italian film from director Marco Bellocchio, we watch the life of a man struggling to cope with...
P.S. Jerusalem – Review
Danae Elon has a remarkably relatable habit of both admitting her own failings and failing to admit them. P.S. Jerusalem, narrated intermittently by its director-cinematographer, is a fascinating, frustrating...
The Founder – Review
The creation, and expansion, of McDonald’s in the 1950s is one of Western culture’s most important benchmarks. Its ramifications on the global economy have been staggering. The influence it continues to...
O.J.: Made in America – Review
Between black and white are over 500 shades of grey. This is the argument of Ezra Edelman’s exhaustive cinematic thesis on O.J. Simpson; a comprehensive documentary that shows that in order to understand...
Cameraperson – Review
It’s often said that the act of observing something affects the behaviour of the thing that’s being observed, but it’s equally true that it changes the person doing the observing. In Cameraperson,...
Denial – Review
Denial is bold in crafting a fictionalised Deborah Lipstadt who isn’t always easy to like; Weisz is fierce and prickly and at times almost unrecognisable. It’s a far cry from the tedious tear-jerking of...
The Bye Bye Man – Review
What is it with scary movies and Friday the 13th? Every year a glut of cheaply-made trash is dumped onto our screens in an attempt to cash in on the 'unluckiest day'. Take 2015's zombie flick Condemned....