Get In – Review Rob Salusbury May 2, 2020 Reviews By turns jaw-grindingly tedious and off-puttingly obnoxious, Get In spends so long trying to figure out what story it wants to tell that it's a wonder it even made it onto Netflix. Skittishly jumping between...
Delete History – Berlinale 2020 Review Josefine Algieri March 1, 2020 Reviews Modern life can certainly be a challenge to navigate; particularly for those generations which did not grow up with the internet. With Delete History (Effacer l’historique), writer-director duo Benoit...
Matthias & Maxime – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...
Hannah – Review Josefine Algieri March 3, 2019 Reviews This review was originally published as part of our Filmfest München coverage on 3/7/2018. Andrea Pallaoro’s second feature Hannah portrays a woman on a precipice, struggling with the crimes her husband...
Hannah – Filmfest München 2018 Review Josefine Algieri July 3, 2018 Reviews Andrea Pallaoro’s second feature Hannah portrays a woman on a precipice, struggling with the crimes her husband has committed and the choices she has made. First and foremost, it is a showcase for Charlotte...
Claire’s Camera – Cannes 2017 Review Tom Bond May 21, 2017 Reviews There aren’t many films that make you question the meaning of cinema. Claire’s Camera, written and directed by Hong Sang-soo, is one of those films. It forms a fascinating counterpoint to the recent...
The Western Gaze in Black Orpheus Cathy Brennan January 5, 2017 Analysis, Close-Up, Features 1 Comment Barack Obama is not a fan of Black Orpheus. In his memoir Dreams of My Father, the outgoing President recalls that it was his mother’s favourite film, but when she took him to see it, he "suddenly realised...
Marguerite – Review Bertie Archer March 15, 2016 Reviews Marguerite is a true comedy, one with emotional downbeats which match the high notes in strength and imbued with that unique French quality, the je ne sais quoi. Frot delivers a pitch-perfect performance as...
Short of the Week – Agoraphobic Stephen O'Nion September 21, 2015 Features, Independent, Short of the Week https://www.youtube.com/watch?v=xAsiyqgehL8 Mondays, right? Garfield knows what I’m talking about. A timid fella takes transport, bustled along in the crowds he seeks to avoid. Unable to escape, he...
Samba – Review Phil W. Bayles May 5, 2015 Reviews In Samba, as in their last crowd-pleaser Les Intouchables, Olivier Nakache and Eric Toledano know how to see the bright side of a bad situation. The jokes consistently hit their mark, while never detracting...
A Love Letter To… The Intouchables Bertie Archer April 30, 2015 Features, Love Letter, Nostalgia The Intouchables is about the inappropriate. Not in any gross-out or controversial way - instead, it shows that the inappropriate choice can be exactly what is needed in any situation, and for that The...
Mommy – LFF Review Tom Bond October 18, 2014 Reviews 2 Comments Most filmmakers can only dream of having made five features and winning the Jury Prize at Cannes by the age of 25. Most filmmakers aren’t Xavier Dolan. With Mommy he shows off his frighteningly assured...
Goodbye to Language (3D) – LFF Review Tom Bond October 13, 2014 Reviews 1 Comment Reviewing Goodbye to Language is like watching it. Very confusing. All that really matters is the ground-breaking moment where Godard rips up the 3D rulebook and redefines the format. The image splits. One...
CEL Mates: A Town Called Panic Conor Morgan June 9, 2014 CEL Mates, Features, Independent Created by animators Stéphane Aubier and Vincent Patar, A Town Called Panic is a 2009 Belgian stop-motion film that, whilst only 75 minutes long, is totally bonkers for every single one of them. The first...