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      The Lion King - Review

      Tori Brazier
      July 20, 2019
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      The World After Us – Berlinale 2021 Review

      Carmen Paddock
      March 3, 2021
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      Night Raiders – Berlinale 2021 Review

      Josefine A.
      March 3, 2021
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      Bad Luck Banging or Loony Porn – Berlinale 2021 Review

      Carmen Paddock
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      Wood and Water – Berlinale 2021 Review

      Carmen Paddock
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      Nous – Berlinale 2021 Review

      Carmen Paddock
      March 3, 2021
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      Undergods – Glasgow Film Festival 2021 Review

      Scott Wilson
      March 3, 2021
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      Debate 2.0: What is the Best Marvel Movie?

      Kambole Campbell
      April 24, 2018
      Analysis, Debate, Features
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      Heather Young Discusses Murmur

      Rafaela Sales Ross
      February 28, 2021
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      The Refreshing Legacy of Trainspotting

      Jack Cameron
      February 23, 2021
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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    • Rewinding Time: The Rise of the Small Screen

      Olivia Luder
      September 14, 2014
      Analysis, Features, Opinion
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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      Why Mother Gothel is the Best Disney Villain

      Phil W. Bayles
      November 19, 2020
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      Aaron Sorkin’s Demons and Better Angels

      Anna McKibbin
      October 10, 2020
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    • Best Films Never Made #24: Robert Zemeckis' The Toon Platoon

      Phil W. Bayles
      February 18, 2015
      Behind The Curtain, Best Films Never Made, Features
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      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Best Films Never Made #42: George A. Romero’s The Girl Who Loved Tom Gordon

      Naomi Soanes
      September 5, 2017
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      Best Films Never Made #41: J. J. Abrams and Ron Howard’s The Dark Tower

      Sinead McCausland
      August 16, 2017
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      Best Films Never Made #40: George A. Romero’s The Mummy

      Tom Bond
      June 6, 2017
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      Best Films Never Made #39: Joss Whedon’s Wonder Woman

      Carmen Paddock
      May 30, 2017
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      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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    • A Beginner's Guide To... Ridley Scott

      Chris Davies
      December 3, 2013
      A Beginner's Guide To..., Analysis, Features
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    • A Beginner’s Guide to… Orson Welles

      Joseph Bullock
      May 21, 2020
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      Pandemic Panic: The Best Horror Films to Distract You Right Now

      Rob Salusbury
      April 9, 2020
    • Courtesy of: El Deseo

      A Beginner’s Guide To… Pedro Almodóvar

      Patrick Nabarro
      August 21, 2019
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      A Beginner’s Guide to… Emma Thompson

      Alex Goldstein
      June 5, 2019
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      A Beginner’s Guide to… Cate Blanchett

      Carmen Paddock
      September 20, 2018
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      Alex Flood
      May 1, 2018
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One Off

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Analysis
One Off
Flynn Rider Soldiers

How Tangled’s Flynn Rider Perfected the Disney Prince

Alex Goldstein
November 19, 2020
Close-Up, Features, Nostalgia, One Off
Tangled has always had a bit of a mixed reputation. Although cinema-going audiences treated it fairly kindly, it struggled to make back its mammoth budget. Critics shrugged at it - complaining it was a little...
Merlin 167288271 8b8fd73f Cf88 466c B9ee 17e165dc12c5 SuperJumbo Cropped

Color Out of Space and the New Wave of Weird Cinema

Jack Cameron
April 4, 2020
Analysis, Features, Love Letter, One Off, Opinion, Spotlight
It's been 23 years since Richard Stanley has made a movie, but this month he returns with Color Out of Space. First, he had to convince Nicolas Cage to say yes (he did). Then he prayed to ancient alien god...
Glasgow Film Theatre 12 Rose Street Glasgow

What to Watch at the 2020 Glasgow Film Festival

Carmen Paddock
February 27, 2020
Features, One Off
Glasgow Film Festival tends to slip under the radar: it comes immediately after the Berlinale, often coincides with or follows the Oscars, and tends to host mainly UK and Scottish premieres of films that have...
ORWAV Oscars 2020

ORWAV Oscars 2020 – The Results

Tom Bond
February 9, 2020
Analysis, Features, One Off
Not to brag, but we had a pretty great set of nominations for the ORWAV Oscars this year. We took the Academy's top picks enhanced them with some underappreciated gems, especially of the uncut variety. So...
ORWAV Oscars 2020

ORWAV Oscars 2020: The Nominations

Tom Bond
February 3, 2020
Analysis, Features, One Off
Oscars season has arrived early this year, and with it comes one of the most eclectic sets of nominees we've seen in quite some time. Big hitters include a long-take (not one-take) WWI film, a serious...
Top 20 Films of the Decade

ORWAV’s Top 100 Films of the 2010s: #20-1

Calum Baker
December 18, 2019
Analysis, Features, One Off, Top 10
In criticism, time-distance is everything: time to let a film sink in, time to give it more thought and more watches, and time to see what impact it has on the culture. Time also, often, for the artists...
Top 100 41-20

ORWAV’s Top 100 Films of the 2010s: #40-21

Calum Baker
December 15, 2019
Analysis, Features, One Off, Top 10
The ground is littered with fantastic and fascinating titles that just failed to make our top 100 films of the decade: Margaret, Blade Runner 2049, Foxtrot. Somehow Michael Pearce’s “moody”, empty Ramsay...
Top 100 60-41

ORWAV’s Top 100 Films of the 2010s: #60-41

Calum Baker
December 14, 2019
Analysis, Features, One Off, Top 10
Our countdown of the Top 100 Films of the Decade continues apace as we start reaching the titles with some very high aggregate scores. Debate continues to rage over the relative merits of (usually heavy)...
Top 100 80-61

ORWAV’s Top 100 Films of the 2010s: #80-61

Calum Baker
December 13, 2019
Analysis, Features, One Off, Top 10
At its very best, cinema not only influences its audience but changes the very medium around it; a great film builds itself as it plays, showing you how to view it and redefining itself in real time. And this...
ORWAV Top 100 2010s

ORWAV’s Top 100 Films of the 2010s: #100-81

Calum Baker
December 12, 2019
Analysis, Features, One Off, Top 10
Another decade, another dollar – billions and billions of dollars, that is, spent on both making and watching films. Early 2010 saw Avatar clamber to the first-ever $2 billion gross, becoming the biggest...
Farewell_title card

What Should We Make of The Farewell’s Ending?

Calum Baker
October 3, 2019
Analysis, Close-Up, Features, One Off
The Farewell, written and directed by Lulu Wang, is fast being slotted into one of film culture’s more interesting reductive categories: the heartfelt indie that makes everyone cry. The very premise primes...
The Souvenir

In Defence of Joanna Hogg’s Middle Class Problems

Alex Goldstein
September 6, 2019
Analysis, Features, One Off
Stewart Lee once referred to Joanna Hogg’s second film Archipelago as “an art film about middle class people on a disappointing holiday”. On one level, he is right. There are also plenty of fair reasons...
Blackcat1934

The Cats Trailer and the Movies’ Favourite Moggies

Alex Goldstein
July 18, 2019
Features, One Off, Opinion
Was the Flerken a tentacle too far? Perhaps it was Pet Sematary’s Church on the red carpet that pushed everything over the edge. Whatever it was, just when we were all feline a bit overwhelmed, along came...
Spider-Man: Far From Home

Has Spider-Man: Far From Home Changed the Rules for the MCU’s Credit Stingers?

Alex Goldstein
July 8, 2019
Analysis, Features, One Off
New phase, new rules. Spider-Man: Far From Home has been marketed very heavily as the final piece of the Avengers: Endgame puzzle, but, along with Captain Marvel, it marks the beginning of a new era. He might...
Donbass 2

Truth, Lies, and Cinema: A Brief History of Cinematic Propaganda

Ellena Zellhuber-McMillan
April 24, 2019
Analysis, Features, One Off
Film is uniquely suited to act as a vehicle of propaganda; its combination of visual and audio storytelling makes it effective for audiences of different ages and literacy levels. Propaganda is about creating...
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  • Le Monde (1)

    The World After Us – Berlinale 2021 Review

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    March 3, 2021
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    Night Raiders – Berlinale 2021 Review

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