Robert the Bruce – Edinburgh Film Festival Review Carmen Paddock June 25, 2019 Reviews The titular character has little to do in this new account, spearheaded by and starring Angus MacFadyen 24 years after his same portrayal in Braveheart. Set after he loses his wife, child, and army, the king...
Strange But True – Edinburgh Film Festival Review Carmen Paddock June 24, 2019 Reviews A panicked young man runs through a forest, moments ahead of an unseen assailant and heavily hampered by a broken leg. The view then abruptly cuts to two days earlier, when his brother’s high school...
The Dead Don’t Die – Edinburgh Film Festival Review Carmen Paddock June 24, 2019 Reviews There is always that friend at parties who tells the same joke on repeat – one which delights them more than the listeners and gets endlessly rephrased with diminishing returns. This is the personification...
She’s Missing – Edinburgh Film Festival 2019 Review Carmen Paddock June 20, 2019 Reviews In the final minutes of Alexandra McGuinness’ soul-searching narrative, one of the protagonists is told that "every sin is an attempt to fly from emptiness". While She’s Missing evocatively captures this...
Boyz in the Wood – Edinburgh Film Festival 2019 Review Carmen Paddock June 20, 2019 Reviews Hot Fuzz meets Trainspotting in this year’s Edinburgh International Film Festival opener: a farce that weaves every throwaway gag and ridiculous scenario into a raucous, joyous paean to youthful...
Newton – EIFF 2017 Review L D June 22, 2017 Reviews Jungle-set political satire from Amit V. Masurkar picks on the Indian electoral process as the butt of its 104-minute-long joke. Much like politics, Newton is a comedy in which two ridiculous male egos make...
The Green Inferno – Review Cameron Ward February 14, 2016 Reviews 1 Comment Making his directorial debut with Cabin Fever in 2002, with a further array of torture porn quickly on the way through Hostels one and two, actor/producer/director Eli Roth freely continues his gore-laden...
Hide and Seek – Review Cameron Ward August 6, 2014 Reviews Joanna Coates' feature debut centres realism in a place often found, yet often lost. Coates' uncluttered depiction of a polyamorous utopian society comfortably avoids falling into sexual fantasy, instead...
Joe – Review Cameron Ward July 30, 2014 Reviews 3 Comments Adapted from the late Larry Brown’s novel of the same name, Joe commands exceedingly tight performances within a morally bereft universe. All aspects point to open-ended nihilism, as Joe’s modern wasteland...
The House of Magic (3D) – Review Cameron Ward July 22, 2014 Reviews Featuring near every children's tale trope, The House of Magic possesses little imagination beyond a slight fusion of Toy Story and Over the Hedge. Sassy chihuahuas emit crude one-liners, fat people fall...
We’ll Never Have Paris – EIFF Review Cameron Ward July 9, 2014 Reviews 1 Comment Directed by both Simon Helberg and his (unfortunate) wife Jocelyn Towne, We'll Never Have Paris features Helberg's (cringingly) semi-autobiographical proposal story in what appears to be something akin to a...
Welcome to New York – EIFF Review Cameron Ward June 29, 2014 Reviews "Do you know who I am?" Devereux grunts, towel falling to the floor. Depardieu's outright sociopathic turn as George Devereux - the reported simulacrum to 2011's presumed French presidential candidate,...
Life After Beth – EIFF Review Cameron Ward June 27, 2014 Reviews Writer-director Jeff Baena's directorial and feature debut, Life After Beth, is equal parts tender satire and physical zom-com. Plaza and DeHaan deliver thoroughly accomplished performances, seamlessly...
Cold in July – EIFF Review Cameron Ward June 26, 2014 Reviews Adapted for screen from John Lansdale's novel of the same name, Cold in July retains its free-flowing pulp heritage, with violence and retribution galore. What sets Mickle's latest apart, however, is just...
We Are Monster – EIFF Review Cameron Ward June 25, 2014 Reviews 3 Comments Antony Petrou's racism-fuelled drama concerning the tragic real-life case of Zahid Mabarek shifts focus from the victim, instead opting to centre in on just what drove his fellow inmate, Robert Stewart, to...