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The Mule – Review

The Mule may be a film about drug cartels and police raids, but it’s also a film made by an 88 year-old. And even if his name is Clint Eastwood, that mature perspective defines the storytelling far more...
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Dublin Oldschool – LFF 2018 review

In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
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Sicario 2: Soldado – Review

Sicario 2: Soldado is an all-you-can-eat buffet of Trumpian anxieties – Mexican drug cartels are smuggling terrorists from the Middle East across the border into Texas. CIA enforcer Matt Graver (Josh Brolin)...
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Good Time – Review

Not a jump down the rabbit hole as much as a squeeze through the other end of the telescope, Good Time is when the bass drops at 3am and you can’t remember your own name. Josh and Benny Safdie use every...
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El Niño – LFF Review

El Niño possesses all the ingredients for an efficacious and addictive thriller. The eye-catching start - exploiting transit sights and sounds - ratchets up the tension and is followed by some action-packed...
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Lucy – Review

Visually overflowing, and just about as ludicrous as it is "clever", Luc Besson's latest relies so heavily on pseudo-intellectualism that its outer world quickly falls away to pseudo-reality. Though...
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The Counselor – Review

With a script by acclaimed novelist Cormac McCarthy, Scott’s latest is a movie of ideas given form as a thriller. Unjustly savaged by critics, the philosophical dialogue is at times difficult to follow...
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Mystery Road – LFF Review

Australian filmmaker Ivan Sen writes, directs, photographs, scores, and edits his latest film, Mystery Road, revealing him to be a jack of all trades and master of… some. Clearly inspired by Westerns,...