Stan And Ollie

Stan & Ollie – LFF 2018 review

Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity – without agenda, the duo distilled comedy down to its simple, singular objective of making people laugh;...
Dublin Oldschool

Dublin Oldschool – LFF 2018 review

In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
Blaze

Blaze – LFF 2018 review

Shot dead at the age of 39 in a mundane dispute over a friend’s pension slip, Blaze Foley has been folded into country music legend – spoken of in whispers, his influences keenly felt but never explicitly...
In Fabric

In Fabric – LFF 2018 review

The red dress of Peter Strickland’s In Fabric could represent anything: the toxic lure of consumerism, the superficial coveting of beauty, the dangerous mystique of unattainable glamour. Or, it could...
Capernaum

Capernaum – LFF 2018 Review

Capernaum was an ancient city in what is now northern Israel on the sea of Galilee, thought to be the setting for a string of Jesus’ miraculous feats of healing. No such easy fixes come for those who...
Winter Flies

Winter Flies – LFF 2018 Review

As the cold air sets in, the flies that refuse to die off are the most annoying – and the most persistent. Olmo Omerzu’s coming-of-age gem dwells on these flies, and his characters’ mix of irritation and...
Life Itself

Life Itself – LFF 2018 review

You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato who’s forever working on his screenplay? Well, Life Itself is that very screenplay, and somehow it’s...
Maya

Maya – LFF 2018 review

Returned to the world after four months under ISIS captivity, war reporter Gabriel (Roman Kolinka) comes back to Paris a man transformed and ill at ease with the haunting familiarities and the discomfiting...
Fahrenheit 119

Fahrenheit 11/9 – LFF 2018 review

“How the fuck did we get here?” asks Michael Moore at the start of his new documentary-cum-raging leftist polemic Fahrenheit 11/9, reflecting on the night Donald Trump was named 45th President of the...
Irene's Ghost

Irene’s Ghost – LFF 2018 review

Most of us have relatives we hardly remember – an aunt, cousin or grandparent dead before we were born or when we were too young to form lasting memories. And although an impression is made, their memory...
Beautiful Boy

Beautiful Boy – LFF 2018 review

Journalist David Sheff and his son Nic exist on opposite ends of a spectrum; at once, they balance out a complete picture while repelling and aggravating each other in equal measure. Belgian director Felix...