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The Disaster Artist – Review

Imagine a film no one really wanted, fronted by an enigmatic auteur with a questionable past whose name is all over the credits as producer, director, lead star, etc. A match made in heaven (or San Francisco),...
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Manifesto – Review

Originally a multi-screen installation for exhibition at the Australian Centre for the Moving Image, Manifesto belongs more to Cate Blanchett than to director Julian Rosefeldt. Split into thirteen segments,...
Three Faces

Three Faces – LFF 2018 review

In the fourth film made under his 20-year ban from the Iranian government, Jafar Panahi continues to audaciously fly in the face of his home country’s demands. Opening on an unnerving cameraphone recording...