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The Disaster Artist – Review

Imagine a film no one really wanted, fronted by an enigmatic auteur with a questionable past whose name is all over the credits as producer, director, lead star, etc. A match made in heaven (or San Francisco),...
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Manifesto – Review

Originally a multi-screen installation for exhibition at the Australian Centre for the Moving Image, Manifesto belongs more to Cate Blanchett than to director Julian Rosefeldt. Split into thirteen segments,...
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Three Faces – LFF 2018 review

In the fourth film made under his 20-year ban from the Iranian government, Jafar Panahi continues to audaciously fly in the face of his home country’s demands. Opening on an unnerving cameraphone recording...