The Trip to Italy – Sundance London Review Tom Bond April 26, 2014 Reviews 1 Comment La bella Italia, La Dolce Vita – it’s all on display in this glorious Grand Tour, full of good friends and good food and, most of all, full of laughter. Brydon, and Coogan in particular, are less...
Under the Electric Sky – Sundance London Review Christopher Preston April 25, 2014 Reviews Under the Electric Sky is a ridiculous film which exhibits ridiculous people. Shot during 2013’s Electric Daisy Carnival it offers zero accessibility and little of interest to anyone not already associated...
Frank – Sundance London Review Christopher Preston April 25, 2014 Reviews 1 Comment “What goes on inside that head?” Michael Fassbender goes one better than Karl Urban’s Judge Dredd in the bizarrely sublime (or is that sublimely bizarre?) Frank. This is a film which, given a chance...
Fruitvale Station – Sundance London Review Christopher Preston April 24, 2014 Reviews 2 Comments Shuddering footage extrapolated from a cellphone shows a group of black men sitting on a station floor. One is thrown down and a bang stings the air. Fruitvale Station begins with an ending. Michael B. Jordan...
Memphis – Sundance London Review Cameron Ward April 24, 2014 Reviews Tim Sutton's Delphian portrayal of a blues musician's decaying spirituality takes on the seemingly mismatched guise of both documentary filmmaking, and hyper-literate, auratic cinema. The film follows the...
The One I Love – Sundance London Review Christopher Preston April 23, 2014 Reviews The One I Love is a crumpled-up love letter being tumble-dried inside one of the drums of The Twilight Zone. Charlie McDowell manages to crack open a window and pump a fresh breeze into a genre bloated with...
Drunktown’s Finest – Sundance London Review Christopher Preston April 22, 2014 Reviews Drunktown’s Finest is Sydney Freeland’s directorial debut on a feature - and it shows. This film, which combines the increasingly interwoven stories of three young Native Americans, is never quite able to...
Transcendence – Review Christopher Preston April 21, 2014 Reviews Which is worse: a bad film or a disappointing one? Transcendence manages to be both at the same time. Wally Pfister’s directorial debut is a fractured crazy pavement, cementing together thick slabs of...
The Last Days on Mars – Review Stephen O'Nion April 17, 2014 Reviews It might be a brave new world but we’ve definitely been here before. The humdrum minimalism of Sunshine and Alien crossed with the runny-screamy parts of Alien and Sunshine mean little is unexpected, even...
Locke – Review Chris Davies April 15, 2014 Reviews Following his feature-length directorial debut, Hummingbird, long-time writer Steven Knight directs again with a tense, witty, high-concept thriller set entirely inside a car. Hardy is a magnetic presence,...
Calvary – Review Christopher Preston April 14, 2014 Reviews A darkness hangs over Calvary; as bleak and angry as a pregnant thundercloud. Those hoping for a thematic sequel to The Guard will quickly discover that they won’t find it here. Calvary isn’t perfect; the...
The Raid 2 – Review Tom Bond April 11, 2014 Reviews 1 Comment Get ready for your new favourite fight scenes. Baseball Boy. Hammer Girl. The hotplate. The mudbath bloodbath. And oh boy, if you thought Gravity was visceral cinema then the kitchen showdown is here to...
The Amazing Spider-Man 2 – Review Christopher Preston April 9, 2014 Reviews Calling Marc Webb’s perfunctory remixing of Spider-Man’s origins "Amazing" was an audacious claim back in 2012. Now, less than two years later, comes the web-slinger’s greatest battle: to remain...
The Quiet Ones – Review Chris Davies April 8, 2014 Reviews 1 Comment The Quiet Ones has its moments: some tense, atmospheric, quiet ones, and some VERY LOUD ONES! Pogue utilises the (clichéd) old house setting effectively, and the cattle-prod scares give equally predictable...
Half of a Yellow Sun – Review Tom Bond April 7, 2014 Reviews 2 Comments If Adichie's book was half of a yellow sun then this adaptation merely cowers under its imposing shadow. Bandele's theatre background shows in the basic and unimaginative direction and his screenplay...