article placeholder

Divergent – Review

There's one major problem for Divergent, and it begins with T, H, and G. In a world where "Katniss Everdeen" was just a meaningless string of syllables, this teen-centric adventure might just about get by; but...
article placeholder

Noah – Review

Darren Aronofsky's liberal retelling of the classic Genesis myth is notably epic in both its newly modernised relevance, and its biblically requisite sense of scale. However, much of the tale's innate...
article placeholder

Tom at the Farm – Review

Spectacularly prolific French-Canadian wunderkind Xavier Dolan returns to the scene with his fourth feature (note: he's just turned 25), a brooding, beguiling thriller set amid the Quebecois countryside where...
article placeholder

The Double – Review

The Double sees Jesse Eisenberg thumping his two favourite masks - milksop and  scumbag - together as if they were a pair of cymbals. This doppelgänger nightmare is something we should want to digest...
article placeholder

Twenty Feet from Stardom – Review

Though its accessibility has drawn scorn from fans of "serious" documentary-making, this VH1-vibed account of sadly-overlooked backing singers should win anyone over. It's the magnetic personalities as much...
article placeholder

Afternoon Delight – Review

Though expecting to hate the tale of beauty and the button-down, it turns out writer-director Jill Soloway has actually created a frequently amusing slice of mumblecore realism. Finally Kathryn Hahn has...
article placeholder

The Past – Review

“The past is a foreign country: they do things differently there.” - L.P. Hartley There are echoes of Hartley’s The Go-Between in Asghar Farhadi’s latest, depicting children caught in the fallout of...
article placeholder

A Long Way Down – Review

Adapted from a Nick Hornby novel, A Long Way Down tells the story of four people who become unlikely companions when they all attempt to commit suicide on New Year’s Eve. Unfortunately, the film...
article placeholder

Starred Up – Review

Starred Up serves its porridge with bits of broken glass. It grins as it spits teeth, just as likely to erupt into another volcanic episode of violence as it is to cough up a pearl of prison wisdom. Jack...
article placeholder

The Zero Theorem – Review

The Zero Theorem is unmistakably a Terry Gilliam film, for better or worse. He has created a deliciously chaotic dystopia, saturated with colour and adverts, but his ramshackle directing threatens to disengage...
article placeholder

Under the Skin – Review

Beautifully hypnotic and hauntingly dispassionate, Jonathan Glazer's multi-faceted exploration of cultural subjectivity and social realism flawlessly straddles issues of both observational cinema and the...