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3 Days to Kill – Review

Kevin Costner is Ethan Renner. Fresh from washing his mouth with gravel and his brain with cancer, he must injure and kill anyone he comes across to satisfy the wishes of his handler, Amber Heard… ... An...
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Finsterworld – EIFF Review

It's no coincidence that Daniel Clowes' seminal work Ghost World surfaces throughout Frauke Finsterwalder's multifaceted directorial debut. In taking the highly esteemed graphic novel's unique brand of...
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Belle – Review

Proof that the costume drama can go beyond chocolate-box sweet and address issues greater than its genre, Belle is a sumptuous love letter to the classic period film that nevertheless asks you to stop and...
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Oculus – Review

Don't be fooled by its lo-fi roots – a single-setting chamber horror with a haunted rococo mirror as the villain of the piece – Mike Flanagan's Oculus does more to a familiar premise than most...
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Devil’s Knot – Review

We are welcomed by a characteristically grumpy Colin Firth and an unusually mumsy Reese Witherspoon to Devil’s Knot, a fascinating if ultimately flaccid true-crime drama. The performances of the three boys...
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Chef – Review

In Chef, a passion project, writer-director Jon Favreau serves up a tasty, if predictable, dish that should satisfy most cinematic palates. He has high-quality ingredients: an appetizing cast, including...
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Maleficent – Review

Jolie is sublime. She gives the movie its verve and purpose yet no one else seemed to get the memo. Maleficent was a tremendous character but all that made her so irresistible has been removed and...
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Edge of Tomorrow – Review

Edge of Tomorrow exploits its premise for dramatic and comic effect, but its repetitious scenes of death/rebirth ruin the sense of danger and tension; at times it’s like watching someone else play a video...
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Blended – Review

Welcome to Blended, brought to you by the South African Tourist Board. On your left is a lumbering performance from Drew Barrymore, and on your right is a clunky and drawn-out plot. At least South Africa looks...
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The Two Faces of January – Review

Hossein Amini's pleasing adaptation of Patricia Highsmith's novel of the same name falls victim to its meagre 12A rating; often willing to broach the mature themes demanded of it, yet never fully...
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In Secret – Review

In Secret feels like a film that has sat in stasis, waiting - to get made, for its cast to stabilise, for its leads to maybe even make it big. In a claustrophobic, stagey Paris primarily existing within a...