The Batman – Review Christopher Preston February 28, 2022 Reviews The Batman proves Warner Bros’ third law: for every divisive reboot of the Caped Crusader, there is an oppositional masterpiece waiting to be made. Scaling down beautifully from the silly operatics of the...
A Beginner’s Guide to… Orson Welles Joseph Bullock May 21, 2020 A Beginner's Guide To..., Analysis, Features There is a common narrative surrounding Orson Welles that he was too ambitious for the studio system of his day; the final edits of his movies were rarely under his control after his first film, and his...
Five Genres That Superhero Movies Should be Embracing Phil W. Bayles June 19, 2019 Analysis, Features, Opinion James Gunn has become an essential player in the ongoing Marvel Cinematic Universe – so much so that even an idiotic campaign by right-wing internet trolls couldn’t keep him away. But as we eagerly await...
Dark, Moody, and Remote: The World of Scandinavian Thrillers Alice Rooney February 20, 2019 Analysis, Features, One Off “Lie still. I’ve never done this before… and there will be blood." Lisbeth Salander, a stylish and intelligent enigma, is a character that embodies Scandinavian thrillers. Niels Arden Oplev’s The Girl...
The Shadow Play – Berlinale 2019 review Rhys Handley February 12, 2019 Reviews With a young teen’s understanding of sex, corruption and public administration, The Shadow Play is a captivating display of bold, shambolic filmmaking. Lou Ye’s conspiracy thriller tangles its wicked web...
Images of Insanity: How Polanski Disrupts Gender in Cul-De-Sac Tom Bond March 1, 2017 Analysis, Close-Up, Features On an island, anything can happen. Isolated geographically, they form spaces separate from the rest of society where new rules apply and existing norms can be challenged and disrupted. It’s been this way...
Inside Brick, Rian Johnson’s Neo-Noir Masterpiece Ellena Zellhuber-McMillan March 27, 2015 Analysis, Close-Up, Features When writing his review of Brick for Rolling Stone, Peter Travers stated that the film’s director, Rian Johnson, ‘risked ridicule’ by setting his neo-noir in a high school. Arguably, the bigger risk was...
Sin City: A Dame to Kill For – Review Cameron Ward August 27, 2014 Reviews Sin City: A Dame to Kill For fully neglects the thematic intensity of both its predecessor and literary source. Though it takes little deviation from either, Dame is disappointingly bereft of the tonal...
The Double – Review Christopher Preston April 3, 2014 Reviews 1 Comment The Double sees Jesse Eisenberg thumping his two favourite masks - milksop and scumbag - together as if they were a pair of cymbals. This doppelgänger nightmare is something we should want to digest...