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White Noise – Review

This film was previously reviewed in September 2022 as part of our Venice Film Festival coverage. Don DeLillo’s novel White Noise (1985) depicts an era where the relative security of Western middle class...
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Marriage Story – Venice 2019 Review

If your partner (or, perhaps, ex) is notching Emmy nominations while your play has just been shelved from Broadway, is it justifiable to be jealous? What if your marriage is actively obstructing your ambition?...
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Brad’s Status – Review

With Mike White’s Brad’s Status, a serious Ben Stiller plays a character like those he’s embodied in his work with Noah Baumbach. Brad is familiar – another version of the antiheroes in Greenberg and...
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The Meyerowitz Stories – Review

If The Squid and the Whale and The Royal Tenenbaums had a baby, The Meyerowitz Stories (New and Selected) would be it. The ultimate dysfunctional family with a wily and irrepressible patriarch at the helm may...
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Daphne – Review

There shouldn’t be so much to like about this film. A pitiable misanthrope, Daphne is a hedonistic thirty-something just about getting away with still passing for a twenty-something. Navigating its way...
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Little Men – Review

With Little Men Ira Sachs continues to represent his cynical view of the working generation. In 2014’s Love is Strange he placed his sympathies firmly with an elderly gay couple. This time he swings to the...
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Mistress America – Review

As Brooke Catalinas – the titular Mistress America – Gerwig is almost as repulsive as she’s magnetic. Gerwig impressively develops her already glittering back catalogue of alter egos, effecting a turn of...
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While We’re Young – Review

While We’re Young is a natural progression from Baumbach’s Frances Ha, yet it breaks new ground by using older protagonists to provide a fresh perspective on twentysomething New Yorkers. Meanwhile, it...