article placeholder

Newton – EIFF 2017 Review

Jungle-set political satire from Amit V. Masurkar picks on the Indian electoral process as the butt of its 104-minute-long joke. Much like politics, Newton is a comedy in which two ridiculous male egos make...
article placeholder

The Green Inferno – Review

Making his directorial debut with Cabin Fever in 2002, with a further array of torture porn quickly on the way through Hostels one and two, actor/producer/director Eli Roth freely continues his gore-laden...
article placeholder

Hide and Seek – Review

Joanna Coates' feature debut centres realism in a place often found, yet often lost. Coates' uncluttered depiction of a polyamorous utopian society comfortably avoids falling into sexual fantasy, instead...
article placeholder

Joe – Review

Adapted from the late Larry Brown’s novel of the same name, Joe commands exceedingly tight performances within a morally bereft universe. All aspects point to open-ended nihilism, as Joe’s modern wasteland...
article placeholder

The House of Magic (3D) – Review

Featuring near every children's tale trope, The House of Magic possesses little imagination beyond a slight fusion of Toy Story and Over the Hedge. Sassy chihuahuas emit crude one-liners, fat people fall...
article placeholder

Welcome to New York – EIFF Review

"Do you know who I am?" Devereux grunts, towel falling to the floor. Depardieu's outright sociopathic turn as George Devereux - the reported simulacrum to 2011's presumed French presidential candidate,...
article placeholder

Life After Beth – EIFF Review

Writer-director Jeff Baena's directorial and feature debut, Life After Beth, is equal parts tender satire and physical zom-com. Plaza and DeHaan deliver thoroughly accomplished performances, seamlessly...
article placeholder

Cold in July – EIFF Review

Adapted for screen from John Lansdale's novel of the same name, Cold in July retains its free-flowing pulp heritage, with violence and retribution galore. What sets Mickle's latest apart, however, is just...