Tagged Berlinale

This film was previously reviewed in February 2020 as part of our Berlinale coverage. Ben Whishaw is certainly one of the finest actors of his generation, and Aneil Karia’s Surge is a film which allows...

This film was previously reviewed in February 2020 as part of our Berlinale coverage. Some films need no special tricks or thrills to captivate, and Kelly Reichardt’s latest is a near faultless example....

This film was previously reviewed (as My Salinger Year) in February 2020 as part of our Berlinale coverage. Philippe Falardeau’s latest feature is a visual treat. Sara Mishara’s cinematography creates a...

This film was previously reviewed in February 2020 as part of our Berlinale Festival coverage. Anyone familiar with European folklore will have an idea of where Christian Petzold’s latest feature may end...

This film was previously reviewed in February 2019 as part of our Berlinale coverage. School can be a hostile environment – particularly for those who don’t quite fit in. A Colony centres around Mylia...

In Ballad of a White Cow (Ghasideyeh gave sefid) director duo Maryam Moghaddam and Behtash Sanaeeha explore injustice and innocence, grounded in the experience of their protagonist, who suffers at the hands of...

A three-and-a-half-hour documentary could feel like a school assignment, but director Maria Speth and subject Dieter Bachmann make spending time with one teacher and his diverse class a leisurely joy. Mr...

Polina (Alina Korol) works at her father’s fish shop. She sleeps poorly worrying about her family, and when an eccentric woman claims to be selling a tea to cure insomnia she buys some, half curious and half...

“Do you want to hear about the other kid we lost? We had a little girl named Angela, she was quite the character…”, says Angelo’s dad as his son sits in front of him, camera in hand, as he attempts to...

There are a couple of 2021 releases titled Limbo, and Soi Cheang’s gritty serial killer drama distinguishes itself with its relentless nastiness. Its cops and criminals use anything they can find as...

Nelly (Matilda Gross) is different, that much is clear from the opening scenes of Amanda Adolfsson’s Nelly Rapp: Monster Agent. In front of an audience of fellow school children, she stages an elaborate...

Rakel (Kristine Kujath Thorp) and Ingrid (Tora Christine Dietrichson) are at a locker room getting ready for an aikido class, one of the many spontaneous activities the roommates take part in together when the...

Who We Were (Wir wer waren) switches the question of ecological destruction to one of identity, calling on experts including astronauts, marine biologists, economists, feminist scholars, social scientists, and...

Boy meets girl. Boy and girl fall in love, and they set up a date before knowing the other’s name. Viewers know them as Giorgi (Giorgi Ambroladze) and Lisa (Oliko Barbakadze). Lisa walks home alone, and...

The English title of Henrika Kull’s film Glück limits the meaning to a single implication: bliss, after all, is the extreme, when the German word ‘Glück’ can mean anything from the more ordinary...