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The Unforgivable – Review

On paper, the credentials for The Unforgivable must have seemed promising. It had been adapted from Sally Wainwright's generally well-received British TV series, Unforgiven, from 2009, it featured a scenario...
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Ma Rainey’s Black Bottom – Review

Midway through Ma Rainey’s Black Bottom, the eponymous singer – played by Viola Davis – sits with one of her band members in their studio. She has, until now, been portrayed as a diva: refusing to sing...
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Widows – Review

As one of the most rigorous and unflinching auteurs to emerge in the last decade, it would have been hard to guess that Steve McQueen’s fourth feature, Widows – his first since his Oscar-winning 12 Years...
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Widows – LFF 2018 Review

As one of the most rigorous and unflinching auteurs to emerge in the last decade, it would have been hard to guess that Steve McQueen’s fourth feature, Widows – his first since his Oscar-winning 12 Years...
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Fences – Review

A great play has a certain kind of self-made intensity, as if its players are conjuring up a story from thin air and keeping that plate spinning around the single stage. It leaves you dizzy. Directing...
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Suicide Squad – Review

It’s tough to follow a masterpiece, but it can be tougher to follow a failure. While the new Ultimate Edition has made some headway into redeeming Batman v Superman: Dawn of Justice, all eyes are on Suicide...
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Blackhat – Review

Blackhat is that rarest of things: a thriller with an almost meditative pulse. The art of hacking is explored with a perfunctory and workmanlike rigour, as are the cast, let down by Foehl’s script. The...
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Ender’s Game – Review

In the wake of Will, Matt and Tom’s duds, it falls to Asa “boy in the Tron spacejamas” Butterfield to deliver 2013’s decent sci-fi flick. Well, damn. Gavin Hood’s adaptation of Orson Scott...