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Solitary – Doc/Fest 2016 Review

The first thing you notice about Red Onion State Prison in Virginia is the noise: the low boom of fists banging on metal doors as prisoners scream and bellow like wounded animals. These prisoners are in...
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Kedi – Doc/Fest 2016 Review

It's been said that the age of the Internet has much in common with Ancient Egypt: everybody spends their time writing on walls and worshipping cats. Ceyda Torun’s film Kedi seems at first to be an...
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Race – Review

Race tries to present itself as a spiritual companion to Creed, but ultimately feels more like The Help: a movie about race which feels deathly afraid of its own subject matter. Stephan James acquits himself...
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Warcraft – Review

The fact that director Duncan Jones has hammered any kind of story out of one of the most popular videogames of all time is impressive, but Warcraft goes one better and manages to be pretty damn entertaining....
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Money Monster – Review

For most of its 100-minute runtime, Money Monster is on the verge of becoming a truly great satire. An intimate hostage situation explodes into a media circus that feels like Network as written by Charlie...
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The Man Who Knew Infinity – Review

Like its screenplay, The Man Who Knew Infinity’s score is essentially a "best-of-this-sort-of-thing" – twee and pseudo-inspirational, over-egged and half-baked. Most every line of dialogue is a trailer...
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Zootropolis – Review

Disney's animation division continue their terrific form of recent years with this consistently surprising and charm-packed tale of friendship, acceptance and inclusivity. With its winning voice cast,...
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Welcome to Me – Review

Welcome to Me is powered by a phenomenal performance from Kristen Wiig as Alice Krieg, a woman with borderline personality disorder who starts her own TV show. She nails Alice’s complex character and even...
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Hail, Caesar! – Review

The uproarious and star-studded Hail Caesar! demonstrates the Coens on fine form indeed – whilst not quite up to the standard of their very best, this spiritual successor to Barton Fink sits very comfortably...
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King Jack – Review

There’s nothing original under the sun, it is said, and King Jack will certainly feel familiar to many. Felix Thompson’s picaresque tale of two boys in smalltown America can trace its ancestry right back...
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Chronic – Review

Winner of the Best Screenplay Award at last year’s Cannes Festival, Chronic makes Michael Haneke’s Amour feel like a Richard Curtis romcom. Michel Franco’s camera intrudes, cold and clinical, on...
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Concussion – Review

There are a lot of interesting stories knocking about in Concussion. The compassionate Nigerian doctor Bennet Omalu is a fascinating example of the American Dream made flesh, and his unearthing of a massive...
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The Green Inferno – Review

Making his directorial debut with Cabin Fever in 2002, with a further array of torture porn quickly on the way through Hostels one and two, actor/producer/director Eli Roth freely continues his gore-laden...