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Violation – Review

Content warning: this film includes themes of rape and sexual assault. The rape-revenge genre has of late been befittingly seized by the narrative of the survivor seeking vengeance themselves. There have...
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In the Fade – Review

In the Fade could be called a revenge thriller, but if that conjures an image of a titillating action movie, it couldn’t be more misleading. Fatih Akin’s film is a quiet but unrelenting tragedy, led by a...
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Mandy – Cannes 2018 Review

When Nic Cage’s performance is the most normal thing about a film, you know you’re dealing with something truly extraordinary. The first thing you notice about Mandy is its look. It’s like...
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The Revenant – Review

Born from what's now becoming infamous as one of the most demanding shoots of all time, masterful filmmaker Iñárritu drags his camera through the frozen upper midwest and, with it, the shredded nerves...
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Pound of Flesh – Review

“Ever wake up one day and realise nothing in your life was the way you thought it would be?” our hero is asked at one point. “No.” A femme fatale, a hotel room, a flashback, a missing kidney. Of...
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Everly – Review

Everly has a decent gimmick: one woman, one apartment, one daughter to save via a duffle bag full of cash. Its action compressed into that one location, there exists a recognisable awareness of the need for...
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Need For Speed – Review

A song scabs over the penultimate scene of Need For Speed (or Braking Bad) before it hits you that it’s actually a truly dreadful cover of Dylan’s 'All Along The Watchtower'. This mangled arrangement...
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Oldboy (2013) – Review

Chan-wook Park's Oldboy squints into a broken mirror. It sees not a reflection but a remake; Spike Lee's version of events gurns back - the very definition of a pointless movie. Stripped of the original's...