BelCantoHeader

Bel Canto – Review

Set amidst domestic tension within a non-descript country in Latin America, Bel Canto predominantly follows the perspective of Roxanne Coss (Julianne Moore), an American opera star performing at the private...
Woo Sang

Woo Sang – Berlinale 2019 review

The opening line of Woo Sang must be one of the boldest in recent memory. As the camera sweeps ominously across a modern cityscape, narrator and grieving father Yoo Joong-sik (Sul Kyung-gu) drops his...
Francois Cluzet

Scribe – Review

When unemployed Duval (François Cluzet) is offered a job transcribing phone calls for a suspiciously vague "security firm", he blindly accepts, desperate to prove his worth in the world and get back to a life...
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Momentum – Review

The best thing about Momentum, this year’s least anticipated political-gangster thriller, is its Stomp-style opening credit sequence. It gets a bit hammy after that. The camera lingers longest...