This review was originally published as part of our London Film Festival coverage on 18/10/2018. The red dress of Peter Strickland’s In Fabric could represent anything: the toxic lure of consumerism, the...
Sex and love as toxic to one another - such is the bizarre dichotomy put forth by The Duke of Burgundy. Peter Strickland’s latest in a string of all-enveloping exploitation subgenres meticulously burrows...