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      The Lobster - Review

      Ellena Zellhuber-McMillan
      August 13, 2015
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      M3GAN – Review

      Jess Goodman
      January 19, 2023
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      Scott Wilson
      January 18, 2023
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      Scott Wilson
      January 18, 2023
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      Alysha Prasad
      January 14, 2023
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      Scott Wilson
      January 6, 2023
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      Alysha Prasad
      December 12, 2022
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      American Horror Story: Stephen King's It and Bigotry

      Cathy Brennan
      September 13, 2017
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      On Baz Luhrmann’s Romeo + Juliet and Growing Up

      Lydia Rostant
      March 25, 2022
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      ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

      Anna McKibbin
      December 31, 2021
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      ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

      Carmen Paddock
      December 31, 2021
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      Calum Baker
      October 20, 2015
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      Louise Burrell
      December 31, 2021
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      Louise Burrell
      March 27, 2021
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      Katy Moon
      February 1, 2021
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      Best Films Never Made #41: J. J. Abrams and Ron Howard’s The Dark Tower

      Sinead McCausland
      August 16, 2017
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      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Naomi Soanes
      September 5, 2017
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      Best Films Never Made #40: George A. Romero’s The Mummy

      Tom Bond
      June 6, 2017
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      Best Films Never Made #39: Joss Whedon’s Wonder Woman

      Carmen Paddock
      May 30, 2017
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      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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      Best Films Never Made #37: Neill Blomkamp’s Alien 5

      David Brake
      May 4, 2017
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      August 14, 2015
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      May 21, 2020
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      Rob Salusbury
      April 9, 2020
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      Patrick Nabarro
      August 21, 2019
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      June 5, 2019
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      Carmen Paddock
      September 20, 2018
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Tagged period films

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period films
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The Hand That Holds the Pen: The (Un)Importance of Cinematic Historical Accuracy

Carmen Paddock
January 14, 2019
Analysis, Features, Opinion
Roughly a third of the way through Colette, currently in UK cinemas, Keira Knightley’s titular author muses that ‘the hand that holds the pen writes history.’ This line – featured prominently in the...
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Why Period Films Are So Underrated

Sarah J
January 9, 2019
Analysis, Features, Opinion
It is the beginning of Pride and Prejudice. The protagonist, Elizabeth Bennett (Keira Knightley), is reading a book as she walks through the English countryside. The house comes alive not because it’s been...
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One Hundred Years of World War I on Film

Sophie Wing
November 11, 2014
Analysis, Close-Up, Features
A hundred years on from the outbreak of war in 1914, the mark it left on its descendants is still felt deeply across Europe. The loss of one million men, with thousands of them still buried somewhere in the...




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