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Judy – Review

Every year, you get at least one film clearly designed purely for the purpose of nabbing an Oscar for its star. In 2019, Judy is that film. Renée Zellweger’s heartfelt take on Judy Garland immediately...
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Rocketman – Review

As Elton John plays his first LA show, he begins to levitate, only tethered to earth by fingers on the piano. The crowd lift too as ‘Crocodile Rock’ slows down to a crawl, a moment of sublime magical...
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Mary Poppins Returns – Review

While not technically part of the trend for live-action Disney remakes, Mary Poppins Returns has a symmetry with the 1964 film that is hard to miss. There’s Americans playing cockneys, children stepping into...
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Mamma Mia! Here We Go Again – Review

Whether Mamma Mia! Here We Go Again reads like a cheer or a threat depends entirely on how much you enjoyed the first film. Let’s be honest, you know exactly what you’re getting here. Nominally a Mamma...
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Baby Driver – Review

From the first car chase – set to ‘Bellbottoms’ – Baby Driver makes its mission clear in a manner not unlike Damien Chazelle's crossover hit La La Land: this is another untraditional musical....
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La La Land – Review

Damien Chazelle's third feature, La La Land, confirms two trends in the director's still relatively young career. Firstly, an inclination towards jazz. Secondly, a tendency to make thrilling, moving...