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Bardo – Venice Film Festival 2022 Review

One can’t help but wonder if Netflix’s much-publicised recent financial troubles are down to business decisions like giving Alejandro G. Iñárritu millions to make Bardo, rather than just sending him to a...
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New Order – Review

This film was previously reviewed in October 2020 as part of our London Film Festival coverage. With much of the world experiencing some degree of political and social unrest, it would seem a pertinent time...
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Sicario 2: Soldado – Review

Sicario 2: Soldado is an all-you-can-eat buffet of Trumpian anxieties – Mexican drug cartels are smuggling terrorists from the Middle East across the border into Texas. CIA enforcer Matt Graver (Josh Brolin)...
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Lupe Under the Sun – LFF 2016 Review

Lupe Under the Sun had the potential to be promising. It examines the life of a Mexican migrant living in California, eking out a meager existence as a fruit-picker. The film could have provided a searing...
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Eisenstein in Guanajuato – Review

Rambunctious, kinetic, and aggressively styled, Eisenstein in Guanajuato is Peter Greenaway’s best film in years. This tale of Sergei Eisenstein’s sexual awakening in Mexico is overflowing with vim and...
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Lucifer – LFF Review

Artful, drily witty and a tiny bit mad, Lucifer packs some stunning imagery and big ideas into its self-imposed restrictive frame. Filmed in "Tondoscope", Lucifer's striking circular frame plays host to...
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El Ganzo – RDFF review

The Mexican setting of heat and sand only increases the feeling that Ganzo is like a hazy memory. The film is perturbing not only due to the strange manner of conversation, but also because of the...
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McFarland, USA – Review

Like its lead, McFarland USA has a simple, easygoing charm - and in director Niki Caro’s hands (the film, not Costner) what seems so 'route one' plays out at a significantly more enjoyable pace than its...
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The Book of Life – Review

The Book of Life makes an intriguing attempt at exploring gender stereotypes, but often ends up reinforcing them. Maria (Saldana) ticks a few painfully clichéd feminist heroine boxes, but mostly she is never...