A Most Violent Year – Review

A quickening tension squeezes every frame of A Most Violent Year, tautened by Alex Ebert’s needling score. Chandor directs with a vice-like grip and, with DoP Bradford Young, frames the broken silhouettes...

All Is Lost – LFF Review

Apart from Our Man's opening monologue, the only words of dialogue are the occasional groan of discomfort and an elongated 'Fuuuuuuck'. Redford's actions and expressions must carry the film. The 76-year-old...