12 Rounds With James D. Dever Hugh Blackstaffe July 1, 2014 12 Rounds, Behind The Curtain, Features 1 Comment In the second article in the series, One Room With A View goes 12 Rounds with James D. Dever, the master of on-screen warfare. An expert on all things military, contemporary and historical, Sergeant Major...
Making It Big: Elstree 1976 David Brake June 30, 2014 Features, Independent, Making It Big A long time ago in a galaxy far, far away. The opening titles crawl for Star Wars now act as an accurate punch line for the original trilogy. The cinematic journey began 36 years ago during the hottest...
Welcome to New York – EIFF Review Cameron Ward June 29, 2014 Reviews "Do you know who I am?" Devereux grunts, towel falling to the floor. Depardieu's outright sociopathic turn as George Devereux - the reported simulacrum to 2011's presumed French presidential candidate,...
Maybeland: Her Madeline Joint June 29, 2014 Features, Independent, Maybeland 3 Comments Maybeland is a new feature exploring all the Brave New Worlds of cinema, a look at the various visions of the future – utopic, dystopic and in-between – that all have their own style, predictions and ideas...
Life After Beth – EIFF Review Cameron Ward June 27, 2014 Reviews Writer-director Jeff Baena's directorial and feature debut, Life After Beth, is equal parts tender satire and physical zom-com. Plaza and DeHaan deliver thoroughly accomplished performances, seamlessly...
Cold in July – EIFF Review Cameron Ward June 26, 2014 Reviews Adapted for screen from John Lansdale's novel of the same name, Cold in July retains its free-flowing pulp heritage, with violence and retribution galore. What sets Mickle's latest apart, however, is just...
We Are Monster – EIFF Review Cameron Ward June 25, 2014 Reviews 3 Comments Antony Petrou's racism-fuelled drama concerning the tragic real-life case of Zahid Mabarek shifts focus from the victim, instead opting to centre in on just what drove his fellow inmate, Robert Stewart, to...
Set Fire to the Stars – EIFF Review Cameron Ward June 23, 2014 Reviews Set Fire to the Stars is what happens when performance and written word arrestingly compete for head billing. Goddard's feature debut boasts the full enormity of its inspired source (Dylan Thomas' 'Love In...
Mistaken for Strangers – Review Tom Bond June 22, 2014 Reviews Mistaken for Strangers is a tale of two siblings rather than your usual hedonistic rock doc. Tom Berninger’s lo-fi filming strips away all glamour and lays bare the mundanity behind any success. The...
Something, Anything – EIFF Review Cameron Ward June 21, 2014 Reviews Writer-director Paul Harrill's feature debut offers higher understanding without the usual cost of condescension. Something, Anything gently indicts blindly-followed sociopolitical (bourgeois) ideals, while...
Finsterworld – EIFF Review Cameron Ward June 19, 2014 Reviews It's no coincidence that Daniel Clowes' seminal work Ghost World surfaces throughout Frauke Finsterwalder's multifaceted directorial debut. In taking the highly esteemed graphic novel's unique brand of...
The Young and Prodigious T.S. Spivet – Review Cameron Ward June 12, 2014 Reviews 1 Comment Jean-Pierre Jeunet's visually stunning adaptation of Reif Larsen's similarly-titled novel boasts impressive performances and well-crafted design, but ultimately forgets the importance of thematic integration -...
Ten Degrees of Trivia: Maleficent Tom Bond June 11, 2014 Features, Nostalgia, Ten Degrees of Trivia Love trivia? Love six degrees of Kevin Bacon? Then you’ve come to the right place. Ten Degrees of Trivia combines the two to take you on a journey through the world of loosely connected facts, beginning and...
CEL Mates: A Town Called Panic Conor Morgan June 9, 2014 CEL Mates, Features, Independent Created by animators Stéphane Aubier and Vincent Patar, A Town Called Panic is a 2009 Belgian stop-motion film that, whilst only 75 minutes long, is totally bonkers for every single one of them. The first...
22 Jump Street – Review Christopher Preston June 8, 2014 Reviews 1 Comment 22 Jump Street is belly-aching, mickey-taking, cinema-shaking summer comedy at its very best. Phil Lord and Chris Miller’s follow up to their 2012 reboot does not shy away from its bigger sequel status....