Licorice Pizza – Review Anahit Behrooz January 4, 2022 Reviews Two young people are running: towards each other, away from each other, with each other – the direction barely matters, just that they don’t stop. The sun burns bright overhead, casting everything in...
Freshman Year – Review Tom Bond September 27, 2021 Reviews The college coming-of-age story is such a tried-and-tested subgenre that it’s impressive when someone offers a new take. Freshman Year, the debut feature from writer, director and lead, Cooper Raiff, shows...
Cusp – Sundance Film Festival 2021 Review Rafaela Sales Ross February 2, 2021 Reviews “There is no normal in teenage years” utters a young girl as the sun goes down, her friends carrying cans of beer and chatting from the top of old, beaten trucks. It is a fitting observation to set the...
Antarctica – Raindance 2020 Review George Howarth November 14, 2020 Reviews Antarctica wears its influences on its sleeve. It's hard not to spot the tropes present in other recent coming of age films: the "girls gone bad" anarchy of Booksmart, the fraught mother-daughter relationship...
Yes, God, Yes – Review Chris Edwards August 17, 2020 Reviews There is hardly a niche in the market for comedies about teens having a hard time in high school – Netflix pretty much has that side of the film industry covered. We know the drill: rumours fly and spread...
All the Bright Places – Review Rob Salusbury February 29, 2020 Reviews There is an odd, comforting sort of familiarity to coming-of-age films, with their busy high-school corridors filled with jocks and geeks, and those impossibly elaborate house parties. Though we do get a...
Youth at War in Jojo Rabbit and 1917 Carmen Paddock January 24, 2020 Analysis, Features, Opinion The 2020 Oscars season sees two wartime period pieces in its Best Picture race: Jojo Rabbit and 1917. At first glance, this seems their only similarity – it's not even the same war. Comedy legend Taika...
ORWAV’s Top 20 films of 2019: #3 – Eighth Grade Tom Bond December 31, 2019 Analysis, Features, Top 10 Kids today, eh? They don’t know they’re born. They’ve never had it better, but they spend all their time glued to their phones, living their lives through social media. That’s the easy, lazy criticism...
Good Boys – Review Tom Bond August 14, 2019 Reviews Based on its trailer, you might expect Good Boys to be an embarrassment of sex jokes pushed upon kids too inexperienced to make them funny. While there is the occasional misfire, Lee Eisenberg and Gene...
ORWAV’s Top 20 Films of 2018: #4 – Lady Bird Tom Bond December 28, 2018 Analysis, Features, Top 10 There’s a line in a song I think about a lot. I think it might be true. You can change your clothes/ Change your hairstyle, your friends, cities, continents/ But sooner or later your own self will always...
Winter Flies – LFF 2018 Review Rhys Handley October 18, 2018 Reviews As the cold air sets in, the flies that refuse to die off are the most annoying – and the most persistent. Olmo Omerzu’s coming-of-age gem dwells on these flies, and his characters’ mix of irritation and...
Unremember – Venice 2018 Review David Brake September 3, 2018 Reviews Flavia Castro is the writer, director, editor and producer of Unremember, shown in the Orizzonti strand of the Venice Biennale. With so many recent Latin American films confronting the resurgence of the past,...
Blockers – Review Joni Blyth March 25, 2018 Reviews As an ensemble piece, Blockers has a lot to juggle - it’s basically two three-handers colliding as the parents and children both fall into their own prom night misadventures, but the film also has to make...
Short of the Week – Whale Heart Henry Gatrell February 27, 2017 Features, Independent, Short of the Week https://vimeo.com/203116933 Written and directed by Robert Allen and animated by a team of third-year students at The Animation Workshop in Viborg, Whale Heart tells the story of a father and son,...
Welcome To The Dollhouse: The Ultimate Coming-Of-Age Film Calum Baker August 11, 2016 Analysis, Close-Up, Features Todd Solondz's debut feature, Welcome to the Dollhouse, serves up almost the very definition of black comedy. 21 years since its TIFF premiere, and on the eve of its pseudo-sequel Wiener-Dog finding UK...