The Intruder – Berlinale 2020 Review Josefine Algieri February 26, 2020 Reviews The voice is an instrument, susceptible to changes in a person's mood, or her mental constitution. Natalia Meta's The Intruder (El prófugo) introduces its protagonist's voice as a carefully honed tool for her...
Eeb Allay Ooo! – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Monkey bites can be fatal for humans. Do not indulge them. Do not feed them. This sign greets Anjani (Shardul Bhardwaj) at his new job as a professional monkey repeller. Having newly relocated from the...
Siberia – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Abel Ferrara’s latest film blends a quintessential man vs. nature struggle and the age-old search for life’s meaning with a heavy dose of metaphysics. Siberia, however, does nothing narratively or...
Exile – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews The most effective horror comes from the unknown. In Visar Morina’s dramatic thriller, Xhafer is a Serbian pharmaceutical engineer who now lives in Germany with his wife and three children. One day, he finds...
Suk Suk – Berlinale 2020 Review Rhys Handley February 24, 2020 Reviews Pak (Tai Bo) is a taxi driver entering his twilight years yet still providing for his family. A long-closeted gay man, he spends his lunch breaks cruising in parks and public bathrooms. When he meets retiree...
The Salt of Tears – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews The least believable part of Philippe Garrel’s latest film is that anyone involved has ever been in a relationship. The Salt of Tears follows Luc, a young carpentry student moving from the countryside to...
Time to Hunt – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews There is a scene just before the halfway point in Time To Hunt, Yoon Sung-hyun’s latest heist horror, that signals a seismic shift in the film’s rulebook. While not necessarily a twist by virtue of the...
Hidden Away – Berlinale 2020 Review Carmen Paddock February 23, 2020 Reviews Biopics are tricky; there is a balance to strike between comprehensively covering the subject's entire life and picking a dramatically satisfying theme and tone. Hidden Away reaches for the former but brings...
Persian Lessons – Berlinale 2020 Review Carmen Paddock February 22, 2020 Reviews Vadim Perelman’s Holocaust drama, inspired by true events, begins with its strongest sequence. As Gilles (Nahuel Pérez Biscayart) is transported alongside fellow Jews to an undisclosed location, he ends up...
In Deep Sleep – Berlinale 2020 Review Carmen Paddock February 22, 2020 Reviews Sleep and death are two sides of the same coin in Maria Ignatenko’s slow-burning psychological drama. Sleep of any kind eludes Victor (Vadik Korlyov), who when the film opens is on trial for the murder of...