Bodies Bodies Bodies – SXSW 2022 Review Weiting Liu March 29, 2022 Reviews Interweaving body horror and psychological warfare, Dutch actor-turned-director Halina Reijn’s dramedy slasher Bodies Bodies Bodies stirred up the festival crowd at this month’s SXSW. The film’s...
The Humans – Review George Howarth December 29, 2021 Reviews A24 could almost qualify as a genre in itself at this stage. The distributor’s slew of offbeat masterpieces now means the name alone is a hallmark of cinema; so it seems only natural that The Humans, the...
Lamb – Review Sophie Maxwell December 11, 2021 Reviews María and Ingvar (Noomi Rapace and Hilmir Snær Guðnason) are an Icelandic couple living on a remote farm in the mountains. Under the midnight sun, the pair discover a strange lamb in their sheep barn, which...
C’mon C’mon – Review Weiting Liu December 4, 2021 Reviews This film was previously reviewed in October 2021 as part of our New York Film Festival coverage. C’mon C’mon is writer-director Mike Mills’ tender, bittersweet coming-of-age docudrama that continues...
The Green Knight – Review Phil W. Bayles September 26, 2021 Reviews The story of Sir Gawain and the Green Knight is steeped in ambiguity - we don’t even know the name of its original author - and countless writers have attempted to make sense of it over the years (including...
Zola – Review Weiting Liu August 4, 2021 Reviews Adapted from the viral Twitter thread in 2015 by A’Ziah King – a Detroit stripper who goes by “Zola” as her 148-tweet real-life story's protagonist – director Janicza Bravo and playwright Jeremy O....
First Cow – Review Carmen Paddock May 28, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. Some films need no special tricks or thrills to captivate, and Kelly Reichardt’s latest is a near faultless example....
Minari – Review Scott Wilson April 1, 2021 Reviews This film was previously reviewed in February 2021 as part of our Glasgow Film Festival coverage. Away from Jacob’s (Steven Yeun) farmland, shaded by trees and dampened by patches of water, minari – an...
Saint Maud’s Feminist Evolution of Body Horror Rob Salusbury October 9, 2020 Analysis, Features, Opinion The role of the female within horror cinema has always been a complex and hotly debated topic. Some argue that the frequent depiction of the monstrous female - most commonly realised through the figure of the...
The Farewell – Sundance London Review Joni Blyth June 5, 2019 Reviews You’ll laugh, you’ll cry, you’ll cringe at awkward speeches – The Farewell is like any good family wedding, or any good funeral come to think of it. In her sophomore feature, writer-director Lulu Wang...
Eighth Grade – Review Kambole Campbell June 3, 2018 Reviews This review was originally published as part of our Sundance Film Festival coverage on 03/06/2018. Most people will understand the feeling of suddenly recalling a specific, painfully embarrassing moment...
The Disaster Artist – Review Rhys Handley November 28, 2017 Reviews Imagine a film no one really wanted, fronted by an enigmatic auteur with a questionable past whose name is all over the credits as producer, director, lead star, etc. A match made in heaven (or San Francisco),...
How Good Time Gives Us A Taste Of The Real New York Stephanie Watts November 21, 2017 Analysis, Features, Opinion Josh and Benny Safdie's latest and largest production, Good Time, is a dive head first into the gritty underbelly of New York, following a criminal on one night as he attempts to scrape together the money to...
It Comes at Night – Review Kambole Campbell July 9, 2017 Reviews Trey Edward Shults' second feature is one that comes from a place of deep anguish. As the director himself has previously pointed out, the film was made following the death of a relative, and the first thing...