ORWAV’s Top 100 Films of the 2010s: #100-81 Calum Baker December 12, 2019 Analysis, Features, One Off, Top 10 Another decade, another dollar – billions and billions of dollars, that is, spent on both making and watching films. Early 2010 saw Avatar clamber to the first-ever $2 billion gross, becoming the biggest...
What Should We Make of The Farewell’s Ending? Calum Baker October 3, 2019 Analysis, Close-Up, Features, One Off The Farewell, written and directed by Lulu Wang, is fast being slotted into one of film culture’s more interesting reductive categories: the heartfelt indie that makes everyone cry. The very premise primes...
Clemency – LFF 2019 Review Jack Blackwell September 24, 2019 Reviews Opening with a blood-freezing look at a death row execution, Clemency starts heavily and only rarely lets you up to breathe from there. Chinonye Chukwu’s Sundance-conquering look at the barbaric inhumanity...
The Strong Female Character in 2019 Carmen Paddock July 26, 2019 Analysis, Features, Opinion “She’s not alone.” With this line, almost every female superhero that Marvel has in their roster was unleashed against Thanos and his cronies, kicking off the last act of Avengers: Endgame’s closing...
From Short to Feature: Six Notable Expansions Carmen Paddock May 30, 2019 Analysis, Features, Top 10 After beginning life as a 13-minute short film, Thunder Road arrives in UK cinemas this week. The original depiction of a police officer awkwardly yet poignantly mourning his recently deceased mother through...
I’m Fine Now: The Millennial Experience on Film Carmen Paddock March 15, 2019 Analysis, Features, One Off This article discusses plot points of Benjamin, out in cinemas on Friday, and generalises freely about the lives and habits of young adults in the US and UK. Bo Burnham’s Eighth Grade – out in the UK in...
Velvet Buzzsaw – Review Carmen Paddock February 7, 2019 Reviews A slasher satire of art criticism, Velvet Buzzsaw promises bite, blood, and a true element of danger – even if the pretentious victims are less than sympathetic. However, after an explosive trailer drop and...
2018: Netflix’s First Great Year Calum Baker December 20, 2018 Analysis, Features, One Off I can't believe I'm writing this, but the most critically acclaimed film of the year was just, like, dropped last weekend. On Netflix. Alfonso Cuarón's long-gestating followup to Gravity has absolutely...
The Old Man & the Gun – Review Liz Gorny December 9, 2018 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. Though David Lowery's A Ghost Story and his new The Old Man & the Gun are wholly different films, Lowery...
The Old Man & the Gun – LFF 2018 Review Liz Gorny October 15, 2018 Reviews Though David Lowery's A Ghost Story and his new The Old Man & the Gun are wholly different films, Lowery has returned to an exploration of what he began in the first: our time on Earth and how we spend...
John Cho – First Place Doesn’t Count For Much in Hollywood Joni Blyth October 4, 2018 Spotlight John Cho is a pioneer. His filmography is dominated by groundbreaking roles: first Asian American romantic lead in US television; first openly gay character in a sci-fi blockbuster; first person to use the...
The Miseducation of Cameron Post – Review Kambole Campbell September 7, 2018 Reviews This film was previously reviewed on 31/05/18 as part of the Sundance London Film Festival. A montage of flailing attempts to ‘diagnose’ homosexuality is only the beginning of the fun that Desiree...
Hearts Beat Loud – Review Kambole Campbell August 3, 2018 Reviews A film with a synopsis that must check every box in the ‘Sundance movie’ criteria, Hearts Beat Loud is a light, enjoyable film that washes over you - though perhaps doesn’t linger in the mind long after...
First Reformed – Review Stephanie Watts July 11, 2018 Reviews This film was previously reviewed on 01/06/2018 as part of Sundance London. Paul Schrader has returned with First Reformed, an understated but extremely powerful tale of a man in doubt of his own...
Scene Stealers: Holly Hunter in The Big Sick Rhys Handley July 10, 2018 Analysis, Features, Scene Stealers In recent months, we’ve been absolutely spoiled when it comes to great parents onscreen. Laurie Metcalf got a deserved Oscar nom for Lady Bird, Michael Stuhlbarg should have got the same for Call Me By Your...