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The Odyssey – Review

The Odyssey is a radiant and celebratory combination of scientific discovery, cinema history and family saga. It’s as beautiful above sea level as below, boasting lusciously detailed production design. The...
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The Dark Tower – Review

If you only see one Stephen King adaptation on the big screen this summer… maybe wait for IT. First to arrive, The Dark Tower – based on an epic series of eight King novels – spans science fiction,...
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Final Portrait – Review

Based on his biography of Swiss artist Alberto Giacometti, Final Portrait follows writer James Lord’s account of sitting for the temperamental artist in 1964. What was meant to be a quick sketch ended up...
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Everything, Everything – Review

There’s something rather pleasant about this teen romance’s straightforward approach. With no eclectic pop soundtrack or "kooky" characters, Everything, Everything is a simple if saccharine take on its...
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The Hitman’s Bodyguard – Review

Anton Chekhov is reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." The Russian playwright was clearly far from the minds of the team behind The Hitman's...
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Step – Review

It’s frustrating that Step doesn’t bother to explain what step dance is, but if you’re willing to overlook this there is real insight within. The main subjects, high school seniors applying to college...
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Atomic Blonde – Review

Charlize Theron’s latest action vehicle, Atomic Blonde, oversteers a little in its attempt to escape the limiting description of being “John Wick, but starring Charlize Theron”. Former stuntman and...
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Tom of Finland – Review

Whatever your expectations of Tom of Finland, it is sure to upend them. While much promotion has placed Touko Laaksonen’s erotic drawings emphatically front and centre, the film’s Touko keeps them...
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A Ghost Story – Review

After the success of Ain’t Them Bodies Saints (2013), David Lowery reunites Casey Affleck and Rooney Mara in a time-travelling, existential yarn about the dislocation of grief. Questioning why we become...
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Shin Godzilla – Review

In Japanese, the word "shin" can be translated as "new" – appropriate, considering Shin Godzilla is technically a soft reboot for Toho’s 50-year franchise – but it can also mean "pure" or "true". One...
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Land of Mine – Review

Land of Mine is a war film, but only circuitously. WWII is over, and instead of combat we follow Denmark’s German PoWs rinsing their army’s sins: removing innumerable landmines from the Danish coast. From...
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England Is Mine – Review

An unauthorised yet very affectionate biopic, England is Mine offers a glimpse into Morrissey’s pre-Smiths years in 1970s Manchester. Surrounded by arguing parents, uninteresting people and dead-end jobs,...
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The Emoji Movie – Review

The Emoji Movie struggles to know its audience from the very beginning. It wants to be an earnest film about the wonders of the inside of a smartphone, but also wants to mock teenagers for depending on them....
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Maudie – Review

What makes good art? What is good art? What is art? Perhaps these questions shouldn’t even be asked. After all: one man's rubbish is another’s treasure, and isn't beauty in the eye of the...
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Girls Trip – Review

Following in the footsteps of Bridesmaids and Trainwreck, Girls Trip embraces female comedy in its most unfiltered and unashamed form. This is not a sweet story of four best friends who find themselves in...