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London Symphony – Review

This virtuoso display of editing weaves together a staggering volume of footage of contemporary London, addressing a wide spread of themes and geography with knife-sharp monochrome cinematography. Though...
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Lean On Pete – Venice 2017 Review

Full of wide, near-barren vistas and trying to fit three different films into one, Andrew Haigh’s Lean on Pete has all the hallmarks of a Brit director’s first foray to America. It gets lost in the...
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Stratton – Review

In the world of Kingsman, Bourne, Bond and even Spooks: The Greater Good, Stratton is unlikely to stand out. More than unlikely, it’s downright certain that this is a franchise that will be sleeping with the...
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Human Flow – Venice 2017 Review

Mass migration is one of the biggest international crises of the last decade, with more people displaced now than at any point since the end of World War 2. As artist and activist Ai Weiwei's documentary...
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God’s Own Country – Review

Like Hope Dickson Leach’s The Levelling, God’s Own Country offers visceral insight into the life of an isolated farming family. Both films contain frank visuals of the necessary brutalities of farming and...
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The Insult – Venice 2017

A courtroom drama, a study of masculinity in crisis, and a treatise on the geopolitical state of modern Lebanon, Ziad Doueiri’s The Insult has tonnes of ambition, but lacks the focus and intensity needed...
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Zama – Venice 2017 Review

"White guys go crazy in the South American jungle" is a well-worn genre at this point. From Werner Herzog’s one-two of Aguirre and Fitzcarraldo, to more modern spins Embrace of the Serpent and The Lost City...
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Downsizing – Venice 2017 Review

Alexander Payne kicks off the 2017 Venice Film Festival with a strange, ambitious, and often pummellingly downbeat story. After Norwegian scientists make the miraculous breakthrough of cellular miniaturisation...
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American Made – Review

Barry Seal lived the kind of life that is destined to one day be made into a feature film. And on paper, there’s no actor more perfect for the role of Seal himself than Tom Cruise. Think about it: Seal was a...
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Detroit – Review

Kathryn Bigelow’s return to cinemas couldn’t be more tragically timely. Just over a week after the horrifying Nazi rally in Charlottesville, the racism deep at the roots of the American psyche has been...
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Bushwick – Review

Bushwick assails the eyes and ears with near-continual gunfire and quease-making handheld cinematography. Being forced to follow the characters quickly becomes tedious, and not only visually. The majority of...
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Logan Lucky – Review

At a time when white supremacists are marching in the streets, “Ocean’s Eleven in Trump’s America” could have easily become a two-hour middle finger to the Bible Belt. So perhaps the most surprising...