article placeholder

Wind River – Review

Taylor Sheridan has made his name as the writer of gritty, sincere action films like Sicario and Hell or High Water, and it’s fair to say he doesn’t change a winning formula with his directorial debut,...
article placeholder

Jim & Andy – Venice 2017 Review

As hinted by its nicely simple title, Jim & Andy is a documentary exploring the brilliant but difficult comedy minds of Jim Carrey and the late Andy Kaufman, centring on how those minds became one on the...
article placeholder

Una Famiglia – Venice 2017 Review

Deliberately opaque for its first 20 minutes, it’s hard to see exactly what film Sebastiano Riso’s Una Famiglia actually is for a good while after it starts. Come the end, you’ll wish it never revealed...
article placeholder

Woodshock – Venice 2017 Review

The highlight of any season of the FX anthology American Horror Story is always the creepy and evocative opening titles based on whatever that year’s theme is. At 90 seconds long, they’re perfect snapshots...
article placeholder

Suburbicon – Venice 2017 Review

With mystery films, it’s often said that trailers should be avoided, and that going in blind is the best way to watch them. Suburbicon is an exception to this rule, as the final product bears very little...
article placeholder

Una – Review

The best aspect of Una is its scrambled chronology. Flashbacks break up what could otherwise be a rather repetitive two-hander, albeit one made up of fine performances from both Rooney Mara and Ben Mendelsohn....
article placeholder

Foxtrot – Venice 2017 Review

In 2009, Israeli writer-director and former tank gunner Samuel Maoz blew away the competition at the Venice Film Festival with his searing, Golden Lion-winning debut, Lebanon. Eight years on, Maoz returns to...
article placeholder

The Limehouse Golem – Review

The Victorian era has provided fertile ground for cinema’s lust for murder, mystery, and debauchery, particularly around the unsolved Jack the Ripper murders. What The Limehouse Golem offers is a precursor...
article placeholder

La Mélodie – Venice 2017 Review

Generally the first exposure to foreign film for a British child is in a French lesson towards the end of term. Over the last decade or so, 2004’s The Chorus and the 2008 Palme d’Or winner The...
article placeholder

Moon Dogs – Review

Following the well-trodden path of road trip films, Moon Dogs tells the tale of two very different step brothers who make the journey from Shetland to Glasgow, one in search of love and the other in search of...