London Symphony – Review Rachel Brook September 2, 2017 Reviews This virtuoso display of editing weaves together a staggering volume of footage of contemporary London, addressing a wide spread of themes and geography with knife-sharp monochrome cinematography. Though...
Lean On Pete – Venice 2017 Review Jack Blackwell September 1, 2017 Reviews Full of wide, near-barren vistas and trying to fit three different films into one, Andrew Haigh’s Lean on Pete has all the hallmarks of a Brit director’s first foray to America. It gets lost in the...
Stratton – Review Danielle Davenport September 1, 2017 Reviews In the world of Kingsman, Bourne, Bond and even Spooks: The Greater Good, Stratton is unlikely to stand out. More than unlikely, it’s downright certain that this is a franchise that will be sleeping with the...
Our Souls At Night – Venice 2017 Review Jack Blackwell September 1, 2017 Reviews Jane Fonda and Robert Redford already have previous experience working on Netflix projects, with Grace & Frankie and The Discovery respectively bringing these legendary faces to the small screen....
Human Flow – Venice 2017 Review Jack Blackwell September 1, 2017 Reviews Mass migration is one of the biggest international crises of the last decade, with more people displaced now than at any point since the end of World War 2. As artist and activist Ai Weiwei's documentary...
God’s Own Country – Review Rachel Brook September 1, 2017 Reviews Like Hope Dickson Leach’s The Levelling, God’s Own Country offers visceral insight into the life of an isolated farming family. Both films contain frank visuals of the necessary brutalities of farming and...
The Insult – Venice 2017 Jack Blackwell August 31, 2017 Reviews A courtroom drama, a study of masculinity in crisis, and a treatise on the geopolitical state of modern Lebanon, Ziad Doueiri’s The Insult has tonnes of ambition, but lacks the focus and intensity needed...
The Shape of Water – Venice 2017 Review Jack Blackwell August 31, 2017 Reviews Anticipation for Guillermo del Toro’s The Shape of Water has been sky high, thanks to its prestigious cast and a beautiful trailer. Amazingly, it completely surpasses these expectations to conjure up a...
Zama – Venice 2017 Review Jack Blackwell August 30, 2017 Reviews "White guys go crazy in the South American jungle" is a well-worn genre at this point. From Werner Herzog’s one-two of Aguirre and Fitzcarraldo, to more modern spins Embrace of the Serpent and The Lost City...
The Devil and Father Amorth – Venice 2017 Review Jack Blackwell August 30, 2017 Reviews 1 Comment Legendary director William Friedkin steps behind the camera for another exorcism – this time a purportedly real one that he gained exclusive access to the Vatican to film. It should be a knockout, but...
Downsizing – Venice 2017 Review Jack Blackwell August 30, 2017 Reviews Alexander Payne kicks off the 2017 Venice Film Festival with a strange, ambitious, and often pummellingly downbeat story. After Norwegian scientists make the miraculous breakthrough of cellular miniaturisation...
American Made – Review Phil W. Bayles August 27, 2017 Reviews Barry Seal lived the kind of life that is destined to one day be made into a feature film. And on paper, there’s no actor more perfect for the role of Seal himself than Tom Cruise. Think about it: Seal was a...
Detroit – Review Jack Blackwell August 26, 2017 Reviews Kathryn Bigelow’s return to cinemas couldn’t be more tragically timely. Just over a week after the horrifying Nazi rally in Charlottesville, the racism deep at the roots of the American psyche has been...
Bushwick – Review Rachel Brook August 25, 2017 Reviews Bushwick assails the eyes and ears with near-continual gunfire and quease-making handheld cinematography. Being forced to follow the characters quickly becomes tedious, and not only visually. The majority of...
Logan Lucky – Review Phil W. Bayles August 23, 2017 Reviews At a time when white supremacists are marching in the streets, “Ocean’s Eleven in Trump’s America” could have easily become a two-hour middle finger to the Bible Belt. So perhaps the most surprising...