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Fire of Love – Sundance 2022

Narrated by the incredible Miranda July, Sara Dosa’s documentary Fire of Love is an ode to the daring French volcanologist couple, Katia and Maurice Krafft, who spent their lives chasing volcanic eruptions...
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Nightmare Alley – Review

As Stanton Carlisle leaves an unidentified body and his family home going up in flames, Guillermo del Toro establishes that his latest noir is far from a straight adaptation of William Lindsay Gresham’s 1946...
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Munich: The Edge of War – Review

It is difficult to make a thriller about history, especially events as well-known as the talks between Chamberlain’s Britain and Hitler’s Germany. Munich: The Edge of War, adapted from Robert Harris’...
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Belfast – Review

This film was previously reviewed in October 2021 as part of London Film Festival. The glinting silver off the Titanic Quarters, the sweeping green of Cave Hill, the bouncing yellow of the Harland &...
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Cicada – Review

This film was previously reviewed in October 2020 as part of our London Film Festival coverage. “You’re back on the dick,” a friend of Ben’s shrewdly observes minutes into their coffee date. She’s...
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The Tragedy of Macbeth – Review

This film was previously reviewed in September 2021 as part of our New York Film Festival coverage. The Tragedy of Macbeth marks Joel Coen’s dual venture into a metatextual adaptation of William...
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Cow – Review

This film was previously reviewed in July 2021 as part of our Cannes Film Festival coverage. Andrea Arnold’s newest film, Cow, documents the daily lives of two cows, Luma and her recently born calf whose...
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Licorice Pizza – Review

Two young people are running: towards each other, away from each other, with each other – the direction barely matters, just that they don’t stop. The sun burns bright overhead, casting everything in...
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The Humans – Review

A24 could almost qualify as a genre in itself at this stage. The distributor’s slew of offbeat masterpieces now means the name alone is a hallmark of cinema; so it seems only natural that The Humans, the...
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Titane – Review

This film was previously reviewed in July 2021 as part of our Cannes Film Festival coverage. Julia Ducournau, French director of the bloody 2016 masterpiece, Raw, graces Cannes Film Festival once more with...
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Bliss – Review

This film was previously reviewed in March 2021 as part of our Berlinale coverage. The English title of Henrika Kull’s film Glück limits the meaning to a single implication: bliss, after all, is the...
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The Unforgivable – Review

On paper, the credentials for The Unforgivable must have seemed promising. It had been adapted from Sally Wainwright's generally well-received British TV series, Unforgiven, from 2009, it featured a scenario...
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The Lost Daughter – Review

This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Directing your debut feature as an established actor has its pros and cons. You can call in favours to land...