article placeholder

The Bacchus Lady – Review

This film was previously reviewed in October 2016 as part of our LFF coverage. Both frothy and melancholy, The Bacchus Lady dives into its unexpected tale of one of South Korea’s infamous "Bacchus ladies"...
article placeholder

Drive My Car – NYFF 2021 Review

Inspired by author Haruki Murakami’s short story of the same title, writer-director Ryusuke Hamaguchi’s Cannes Best Screenplay winner Drive My Car is an avant-garde metatextual curation interweaving...
article placeholder

Memoria – LFF 2021 Review

Expat florist Jessica wakes to the sudden sound of a mysterious boom. She hears it again walking down the streets of Bogotá, and again having a short rest after visiting her sister Karen in hospital - a...
article placeholder

7 Days – LFF 2021 Review

Will the COVID-19 pandemic ever end? Not if cinema has its way. For reasons that are bemusing at best, the film and television industry seems determined to preserve the misery of the last 18 months in...
article placeholder

Never Gonna Snow Again – Review

This film was previously reviewed in October 2020 as part of our LFF coverage. For a comedy-drama that hovers between life and death, Never Gonna Snow Again is achingly beautiful. Szumowska and Engerlt...
article placeholder

The Velvet Underground – Review

Almost fifty years since The Velvet Underground went their separate ways, their legacy only grows. Now understood as pivotal in pushing the boundaries of music at the time, Todd Haynes’ documentary tells the...
article placeholder

The Last Duel – Review

This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. The Last Duel, Ridley Scott’s latest men-with-swords epic, is a medieval courtly tale for the #MeToo...
article placeholder

Queen of Glory – LFF 2021 Review

PhD candidate Sarah (Mensah) sees her young adult life opening up before her. She’s successful in academia - a place she has forged her own path away from her Ghanian, and very Christian, immigrant family....
article placeholder

The Odd-Job Men – LFF 2021 Review

Absurdity and verisimilitude underpin Neus Ballús’ slice of life comedy following three repairmen on a week of assignments across Barcelona. These run the gamut from mundane to just strange enough to be...
article placeholder

Mass – LFF 2021 Review

As soon as Richard and Linda arrive at a small middle American church, it is painfully obvious that neither they nor the couple they are meeting (Jay and Gail, who have circled the block a few times) will find...
article placeholder

The Programme – Review

With prison reform and abolition hot - and necessary - topics today, Antony Spina’s short film imagines a coldly efficient worst case scenario. As the United States prison system reaches capacity, an...
article placeholder

Sad Little Boy – Review

Misery loves company, and this adage holds true in art. While sometimes there is catharsis to be found in a good tragedy, sometimes exploring the ways something or someone can go terribly, irrevocably wrong -...
article placeholder

The Alleys – LFF 2021 Review

Ali is a small-time hustler, earning commission every time he brings a big spender to a nightclub, and Lana is the daughter of the most respected stylist - and single mother - in east Amman. But this modern...