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War Book – LFF Review

You face a decision. You will kill millions. Or, you will watch the world burn around you. Sick to your guts you feel the cold dread of a desperately uncertain future. It’s time to decide. The premise...
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Wild – LFF Review

We are all tiny dots of existence in this monstrous universe. Pinpricks of life just a breath away from ecstasy or demise. Hollywood's noticed. Travelogues are in vogue, with Hollywood stars escaping...
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Kung Fu Jungle – LFF Review

Imagine CSI crossed with premium martial arts accompanied by mind bogglingly kinetic camerawork and you're halfway to reviewing this yourself. The story is a colour by numbers affair but the...
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X+Y – LFF Review

Morgan Matthews' X+Y employs refreshing subtlety in place of generically afforded melodrama. Despite playing host to numerous mental and physical disabilities, X+Y commendably eschews blatant and obvious...
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Men, Women & Children – LFF Review

Jason Reitman's deceptively light exploration of the Digital Age couples both comedy and tragedy through near-accepted absurdity. Despite Men, Women & Children's initial, "sexually playful" approach, it...
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Madame Bovary – LFF Review

Madame Bovary is an eye-catching film which bypasses the novel’s dedication to realism instead revelling in contradictory but no less crucial romanticism. Andrij Parekj’s entrancing cinematography exudes...
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Rosewater – LFF Review

When one dives into the controversial, it’s unusual to surface so cleanly. Stewart’s directorial debut is a controlled and poignant spin on an inspirational tale. However, any empathy garnered derives...
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The Rewrite – Review

Grant’s washed-up screenwriter is a familiar but less charismatic version of his over-the-hill musician in Lawrence’s Music and Lyrics. The Rewrite suffers by comparison; there’s nothing to rival the...
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Effie Gray – Review

As another chapter in the evolving period genre, Effie Gray combines the best of Merchant Ivory with the claustrophobia of a modern domestic thriller. Though the film is separated from Gone Girl by time,...
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Pasolini – LFF Review

A love letter from one provocauteur to another, written in dried blood and tired philosophy. Dafoe is assured as the controversial director, both in his tentative physicality and his soaring creative...
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White God – LFF Review

White God is an intrepid and incisive thriller. Blisteringly beautiful, brutal and bizarre, it achieves the intimacy and meticulousness essential to crystallize unspoken communication and potent...
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Listen Up Philip – LFF Review

Philip (Schwartzman) is the man you'll love to hate. Ike (Pryce) is the man he could become. They are both tortured, selfish literary geniuses and Moss, Ritter and de La Baume are the women who suffer for...