War Book – LFF Review Tom Bond October 14, 2014 Reviews 1 Comment You face a decision. You will kill millions. Or, you will watch the world burn around you. Sick to your guts you feel the cold dread of a desperately uncertain future. It’s time to decide. The premise...
Wild – LFF Review David Brake October 14, 2014 Reviews We are all tiny dots of existence in this monstrous universe. Pinpricks of life just a breath away from ecstasy or demise. Hollywood's noticed. Travelogues are in vogue, with Hollywood stars escaping...
Kung Fu Jungle – LFF Review David Brake October 14, 2014 Reviews Imagine CSI crossed with premium martial arts accompanied by mind bogglingly kinetic camerawork and you're halfway to reviewing this yourself. The story is a colour by numbers affair but the...
X+Y – LFF Review Cameron Ward October 14, 2014 Reviews Morgan Matthews' X+Y employs refreshing subtlety in place of generically afforded melodrama. Despite playing host to numerous mental and physical disabilities, X+Y commendably eschews blatant and obvious...
Men, Women & Children – LFF Review Cameron Ward October 14, 2014 Reviews Jason Reitman's deceptively light exploration of the Digital Age couples both comedy and tragedy through near-accepted absurdity. Despite Men, Women & Children's initial, "sexually playful" approach, it...
The Possibilities Are Endless – LFF Review Danielle Davenport October 13, 2014 Reviews This sensory and disorientating documentary is extremely poignant, an effect heightened by footage accentuating Collins’ former dynamism as well as incremental tonal shifts paralleling the ascendance of...
Goodbye to Language (3D) – LFF Review Tom Bond October 13, 2014 Reviews 1 Comment Reviewing Goodbye to Language is like watching it. Very confusing. All that really matters is the ground-breaking moment where Godard rips up the 3D rulebook and redefines the format. The image splits. One...
Mr. Turner – LFF Review Danielle Davenport October 13, 2014 Reviews 1 Comment Leigh’s joyful rendition of J.M.W. Turner’s final years is unique and unpredictable, an incandescent homage to light, beauty and inimitable talent. The audience is treated to captivating scenery, its...
Madame Bovary – LFF Review Danielle Davenport October 12, 2014 Reviews Madame Bovary is an eye-catching film which bypasses the novel’s dedication to realism instead revelling in contradictory but no less crucial romanticism. Andrij Parekj’s entrancing cinematography exudes...
Rosewater – LFF Review David Brake October 12, 2014 Reviews When one dives into the controversial, it’s unusual to surface so cleanly. Stewart’s directorial debut is a controlled and poignant spin on an inspirational tale. However, any empathy garnered derives...
The Rewrite – Review Rachel Brook October 11, 2014 Reviews Grant’s washed-up screenwriter is a familiar but less charismatic version of his over-the-hill musician in Lawrence’s Music and Lyrics. The Rewrite suffers by comparison; there’s nothing to rival the...
Effie Gray – Review David Brake October 11, 2014 Reviews As another chapter in the evolving period genre, Effie Gray combines the best of Merchant Ivory with the claustrophobia of a modern domestic thriller. Though the film is separated from Gone Girl by time,...
Pasolini – LFF Review Tom Bond October 10, 2014 Reviews A love letter from one provocauteur to another, written in dried blood and tired philosophy. Dafoe is assured as the controversial director, both in his tentative physicality and his soaring creative...
White God – LFF Review Danielle Davenport October 10, 2014 Reviews White God is an intrepid and incisive thriller. Blisteringly beautiful, brutal and bizarre, it achieves the intimacy and meticulousness essential to crystallize unspoken communication and potent...
Listen Up Philip – LFF Review Tom Bond October 9, 2014 Reviews Philip (Schwartzman) is the man you'll love to hate. Ike (Pryce) is the man he could become. They are both tortured, selfish literary geniuses and Moss, Ritter and de La Baume are the women who suffer for...