Who Will Die in Infinity War? Jack Blackwell April 25, 2018 Analysis, Features, One Off As the official Most Hyped Film Of All Time, Avengers: Infinity War is a source of non-stop speculation about its story. As the culmination of 10 years of the Marvel Cinematic Universe, it should be an...
Dress to Impress: Five Classic Hollywood Costume Designers You Should Know Tori Brazier March 23, 2018 Analysis, Features, One Off The right dress can go a long way in most circumstances - and in cinema, costume designers creating the perfect garment for a movie moment will see their work go down in history. From Audrey Hepburn's historic...
Netflix, Annihilation, and Elitism in Cinema Christopher Preston March 15, 2018 Features, One Off, Opinion People fight on the Internet. Who knew? The latest bout of byte-slinging has been sparked by the release - or, perhaps, lack of release - of Alex Garland’s Annihilation. For context, the movie was...
What’s Up Doc?: A Look At Cinematic Rabbits Cathy Brennan March 14, 2018 Analysis, Features, One Off Watching the trailer for the new Peter Rabbit adaptation, you may ask yourself how we as a species arrived at this point. A cheeky chappy bunny with the voice of an irritating Brit stares directly into the...
ORWAV Oscars 2018 – The Results Tom Bond March 4, 2018 Analysis, Features, One Off For once our ORWAV Oscar nominations turned up a similar list to the Academy, suggesting that this time, maybe, they’ve recognised the right performances and films. With just a handful of underdogs creeping...
Method in his madness: An exploration of Daniel Day-Lewis’ Oscar-worthy performances Tori Brazier March 3, 2018 Features, Independent, One Off Daniel Day-Lewis is probably the most famous method actor in the world. Although this practice was brought to prominence on screen by classic stars such as Marlon Brando and James Dean in the 1950s, who were...
ORWAV Oscars 2018 – Dinner Party Bertie Archer March 2, 2018 Features, One Off, Opinion It’s Oscars night on Sunday, that magical time when, well, the BAFTAs, Golden Globes, Guild Awards, and other ceremonies repeat themselves – but with added hype, expectation and chance of upset. However...
ORWAV Oscars 2018 – The Nominations Tom Bond February 28, 2018 Analysis, Features, One Off It’s been a glorious year for film fans. In truth, every year is if you watch the right stuff. The problem is that often these cinematic gems aren’t the same ones held up by the Academy as the best in the...
How Inherent Vice’s Hero Reveals Paul Thomas Anderson’s Worldview Jack Blackwell January 30, 2018 Analysis, Features, One Off Given his propensity for writing films revolving around driven, charismatic, and dangerously self-regarding men, one might be forgiven for thinking Paul Thomas Anderson, all-round auteur and probably the...
Checking in on the Modern Western Rory Steabler January 4, 2018 Analysis, Features, One Off Almost a decade ago, the 2008 Academy Awards saw an influx of Westerns. No Country for Old Men took the Best Picture statuette (among others), while nominations for sound and cinematography were dished out to...
Hostiles and the Western’s Lack of Progress in Indigenous Representation Jack Blackwell January 2, 2018 Analysis, Features, One Off Though there are many micro-genres encompassed by the umbrella term of "Western", most of these films can be generally grouped into either "cowboy showdown" (Shane, High Noon, Unforgiven) or "wilderness...
“Darkness Rises, and Light to Meet It”: How The Last Jedi Found the Balance in the Force David Brake December 22, 2017 Analysis, Features, One Off Warning: this article contains spoilers for Star Wars: The Last Jedi. This is not going to go the way you think! —Luke Skywalker, The Last Jedi Ambiguity (noun). The quality of being open to more than one...
The generosity of Every Frame a Painting Rhys Handley December 7, 2017 Analysis, Features, One Off Hi, my name is Rhys and I love Every Frame a Painting. The act of watching film is instinctive. You can’t often tell why you like a movie, your gut just knows that you do. There’s something about it...
Queerness in Takashi Miike’s Shinjuku Triad Society Cathy Brennan December 5, 2017 Analysis, Features, One Off Please note: this article contains descriptions of sexual assault. Takashi Miike is one of the most prolific working directors around. He has made more than one film a year since 1991, and the release of...
Sex and Family in The Piano Teacher Cathy Brennan November 29, 2017 Analysis, Features, One Off Please note: this article contains descriptions of sexual assault. The release of Happy End this week marks the fourth collaboration between European arthouse darlings Isabelle Huppert and Michael Haneke....