ORWAV’s Top 20 Of 2014: 5. The Wolf Of Wall Street Tom Bond December 26, 2014 Analysis, Features, Top 10 2 Comments Do you want to be Jordan Belfort? Do you want what he has? The money, the drugs, the women, the power? You’re not alone. You’re only human. Debates raged with the manic energy of coked-up stockbrokers...
Christmas Gift Guide: Silver Screeners and Family Friendly Film Tom Bond December 16, 2014 Competitions 2 Comments It’s that most wonderful time of the year, full of food and films for all to enjoy, and here at ORWAV we thought we’d do our bit to get you in the Christmas spirit with a gift guide for all your festive...
Christmas Gift Guide: Action Hero and Kings and Queens of Comedy Tom Bond December 15, 2014 Competitions 3 Comments It’s that most wonderful time of the year, full of food and films for all to enjoy, and here at ORWAV we thought we’d do our bit to get you in the Christmas spirit with a gift guide for all your festive...
Christmas Gift Guide: Arthouse Addict and Sci-Fi Superstar Tom Bond December 14, 2014 Competitions 2 Comments It’s that most wonderful time of the year, full of food and films for all to enjoy, and here at ORWAV we thought we’d do our bit to get you in the Christmas spirit with a gift guide for all your festive...
Exodus: Gods and Kings – Review Tom Bond December 11, 2014 Reviews Ridley Scott may be 77, but he’s making films with the energy and ambition of a man half his age. His direction is masterful and with DoP Dariusz Wolski he brings an exquisite painterly detail to this...
Horrible Bosses 2 – Review Tom Bond November 22, 2014 Reviews For better or worse, if you’ve watched a mainstream US comedy in the last five years, it’s going to be riddled with improv. Horrible Bosses 2 is no different and Bateman, Day and Sudeikis offer nothing...
Best Films Never Made #21: Steven Spielberg’s Interstellar Tom Bond November 11, 2014 Behind The Curtain, Best Films Never Made, Features Christopher Nolan’s Interstellar is without doubt the most ambitious film of 2014. Steven Spielberg’s version might just have been better. If you’ve read anything about Nolan’s space epic in the...
The Book of Life – Review Tom Bond October 26, 2014 Reviews The Book of Life makes an intriguing attempt at exploring gender stereotypes, but often ends up reinforcing them. Maria (Saldana) ticks a few painfully clichéd feminist heroine boxes, but mostly she is never...
Son of a Gun – LFF Review Tom Bond October 22, 2014 Reviews There are few logical explanations for Son of a Gun. The most probable is that writer/director Avery is getting paid by the cliché, each one more laughable and obvious than the last. It’s a shame because...
A Little Chaos – LFF Review Tom Bond October 22, 2014 Reviews ‘Landscape gardener charms all she meets with fresh approaches to shrubbery’ is a synopsis that will set few pulses racing. Rickman’s first directorial effort since 1997, however, is a solid piece of...
Foxcatcher – LFF Review Tom Bond October 21, 2014 Reviews 1 Comment Foxcatcher is a fascinating study of dedication, loneliness and power. In many ways it’s a tonally opposite companion to Whiplash. Sadly, it’s also nowhere near as good. Fry and Futterman’s script...
The Salvation – LFF Review Tom Bond October 18, 2014 Reviews The Salvation launches into action with a tense and life-changing encounter for Jon (Mikkelsen) and his family. Unfortunately, from there the plot becomes increasingly ludicrous and lightweight. The...
Mommy – LFF Review Tom Bond October 18, 2014 Reviews 2 Comments Most filmmakers can only dream of having made five features and winning the Jury Prize at Cannes by the age of 25. Most filmmakers aren’t Xavier Dolan. With Mommy he shows off his frighteningly assured...
Whiplash – LFF Review Tom Bond October 17, 2014 Reviews At the heart of Whiplash lies an uncomfortable truth, relentlessly hammered home with the force of a thousand drumbeats. To be truly great at anything you need to work till you bleed, work until you hate...
Hungry Hearts – LFF Review Tom Bond October 17, 2014 Reviews Is it possible to love not too little but too well? This is the question posed by Saverio Costanzo’s incisive and inquisitive script that follows the battle of wills as Jude (Driver) and Mina (Rohrwacher)...